Building a Mirrorhaploscope: When Psychology Meets the Makerspace

Introduction

An early iteration of the Mirrorhaploscope. before additional horizontal tracks were added for increased maneuverability.

An early iteration of the Mirrorhaploscope. before additional horizontal tracks were added for increased maneuverability.

Most people think vision is simple. You open your eyes and see. The new mirrorhaploscope in Assistant Professor Kim Wong’s lab proves it is much more complicated. This past fall, Professor Wong reached out to the Williams Makerspace with a request that would merge research, design, and hands-on building: a mirrorhaploscope for studying how the brain chooses what we see. The device will be used in both PSYC 300 (Perception) and the WAVE Lab (Wong Attention, Vision, and Encoding Lab), supporting studies of visual awareness, attention, and binocular rivalry. The collaboration made it possible for students to help construct a fully functional research instrument that they will later use in their own experiments.

The Problem or Research Purpose

A mirrorhaploscope is a deceptively simple optical instrument with powerful implications. It allows researchers to present different images to each eye at the same time—allowing us to push our visual system to its limits, and test unconscious, automatic processing. With this setup, Professor Wong can run Continuous Flash Suppression (CFS) experiments, a method that consists of overwhelming one eye with a chaotic, rapidly flashing pattern (aka a “dynamic Mondrian mask”),  while the other sees a stable image. This flashing is so overwhelming to the visual system that it completely dominates awareness, and the brain temporarily “suppresses” the stable image. Experimenters then measure the amount of time it takes for the stable image to finally “break through” the suppression from the flashing pattern.

In plain terms? The device lets researchers peek into how attention and perception works while the participant themselves has no idea that there is even another image present at all.  This allows them to ask the critical question: “What does your visual system do automatically, before you’re even conscious of it?” They can thus experimentally manipulate: 

  • What kinds of images capture visual awareness first (i.e. which images “break through” the suppression faster)?
  • What kinds of stimuli or scenes are unconsciously prioritized by the visual system?
  • How does the brain resolve conflicting visual input?
  • Why do we notice some things instantly while completely missing others?
  • Do we find major differences across individuals’ visual processing?  

And all of this comes from four mirrors angled just right.

The Build

The build started with a brainstorming meeting mid September. Professor Wong explained the necessary features: tilt-adjustable mirrors, a full height-adjustment track so the device could fit all necessary setups, and a touch of aesthetics. That became our blueprint. 

A 3D sketch of the mirrorhaploscope before diving into tangible build

A 3D sketch of the mirrorhaploscope before diving into tangible build

From there, the making process unfolded like a narrative. First came the wooden frame for mirror mounts, then choosing hardware that allowed fine-tuned rotation, and testing a series of height adjustments designs. Decisions about height adjustability required a universal T-track system, while the mirror tilt demanded ball-and-socket mounts with tightening knobs. 

A cardboard prototype to help visualize the mirrorhaploscope

A cardboard prototype to help visualize the mirrorhaploscope

Along the way, the build team had plenty of human moments: 

  • Attaching the mirrors came with a number of attempts, including failure to account for how quickly the glue solidified, and coordination between team members became essential.
  • During one clean up session, the force of the vacuum was not accounted for and a wooden piece made its way down the pipe. Disassembling the vacuum was required to retrieve the piece. 
  • The team was so focused on protecting the first set of mirrors from getting scratched that it was not until final assembly that we realized the mirrors were in fact distorted and new ones must be ordered.

By early November, after careful alignment and many hours in the woodshop, the mirrorhaploscope finally took shape.

Mirrorhaploscope finished product, photo taken in the Makerspace

Mirrorhaploscope finished product, photo taken in the Makerspace

The Final Product

The finished mirrorhaploscope is clean, sturdy, and deceptively elegant. 

It features: 

  • Four angled mirrors arranged to separate left-eye and right-eye images 
  • Adjustable mirror mounts using ball-and-socket heads for precise tilting 
  • Two independent height and width adjustable track systems to accommodate different setups and users 

It can sit on a standard 30-inch table, with the mirror heights adjustable to match Professor Wong’s required visual angles. It is mobile enough to be deployed in both the PSYC 300 classroom and the WAVE Lab, where it will support experiments for years to come. 

When the team handed it to Professor Wong, the feeling was unanimous: proud, relieved, and a little in awe that a pile of wood, mirrors, and hardware had become a fully functional research tool.

Mirrorhaploscope finished product, photo taken in the WAVE Lab

Mirrorhaploscope finished product, photo taken in the WAVE Lab

WAVE Lab Research Assistant Maggie Nichols demonstrating how the mirrorhaploscope is used in experiment setting

WAVE Lab Research Assistant Maggie Nichols demonstrating how the mirrorhaploscope is used in experiment setting

Why This Project Matters

This project represents something bigger than a Makerspace build. We didn’t just learn about visual perception, we helped create the instrument that will produce new scientific knowledge. The Makerspace enabled academic experimentation, allowing psychology, engineering, and creativity to intersect in a single device. 

And now, PSYC 300 students will do something rare in an undergraduate course: use a professional research device they helped design and build. The mirrorhaploscope is more than a tool; it’s proof that hands-on learning can quite literally change how we see. This project didn’t just teach us about perception. It taught us that learning accelerates when students build the tools that drive discovery.

Making Time: Reimagining Ancient Greek Paradigms through 3D Printing

ChatGPT-generated image of Chronos and symbols of linearized time such as the hourglass and clock gears

ChatGPT-generated image of Chronos and symbols of linearized time such as the hourglass and clock gears

For the final project of my Winter Study course, COGS 10: Minds, Machines, and the Making of Meaning taught by Dr. Charles Kaufmann, I was asked to “integrate the scientific, philosophical, computational, and experiential strands of the course into a single, coherent act of meaning-making.” Having recently read an article about bioprinting—a form of 3D printing that uses organic matter, often including living cells, to create new tissue—I was inspired to cap off my learning experience with some form of material creation.

A simple Google search of “Williams 3D printing” led me to the Makerspace, the on-campus hub for all things related to innovation, creativity, and hands-on learning. I was particularly moved by the idea of Critical Making which combines critical thinking and material design into a unified mode of expression and inquiry. I knew this was how I wanted to approach my culminating reflection.

Minds and Machines Behind the Project

The crux of my project was to explore how minds and machines interface to create meaning, specifically through the lens of different ancient Greek models of time as represented by three deities: Chronos, Aion, and Kairos. That process of intellectual discovery was enabled by the following:

Minds and Machines Behind the Project

Minds and Machines Behind the Project

Getting to Know the Space

At the outset of the project, I lacked confidence, having no prior training in 3D modeling of any kind. When I reached out to Mr. David to talk through the specifics of my project idea and gauge the possibility of its completion in a compressed timeframe, I feared that my inexperience would make my goals unfeasible. On my first tour of the Makerspace a few days later, however, my trepidation was quickly melted away by Mr. David’s nonpareil enthusiasm and encouragement. I was pleasantly surprised to hear that my idea was realistically achievable, that he would help through the entire process, and that I could learn first-hand to perform some of the techniques involved.

The Process: From Red Spaghetti to Hellenic Models

Left to Right: (1) ChatGPT-generated image of Chronos and symbols of linearized time such as the hourglass and clock gears; (2) 3D model of Chronos produced by MeshyAI and Hitem3D software, based on the original image; (3) Editing the 3D model in PrusaSlicer to achieve proper scale and supports

Left to Right:
(1) ChatGPT-generated image of Chronos and symbols of linearized time such as the hourglass and clock gears
(2) 3D model of Chronos produced by MeshyAI and Hitem3D software, based on the original image
(3) Editing the 3D model in PrusaSlicer to achieve proper scale and supports

 

 

 

 

 

 

 

 

 

 

Left to Right:; (1) Big red spaghetti ball: the colorful fun of a failed print; (2) Successfully printed model of Chronos with supports; (3) Finished print of Chronos with all supports removed

Left to Right:
(1) Big red spaghetti ball: the colorful fun of a failed print
(2) Successfully printed model of Chronos with supports
(3) Finished print of Chronos with all supports removed

 

 

 

 

 

 

 

 

Final Thoughts

Collaborating with the Makerspace was incredible! With the zealous help of Mr. David, I was able to transform my project idea into a reality in about one week. Creation has never felt so possible. I would encourage anybody and everybody to visit the Makerspace. You never know when immersing yourself in a new environment and connecting with the experts and student workers involved will spark the desire to make something new. While every creative endeavor has a unique set of technical demands, ranging in complexity, getting started really is as simple as dropping by during Open Hours or sending a friendly email. I found this process enriching, fun, and informative, and I will definitely be working with the Makerspace team again soon.

My finished prints! From left to right: Chronos, Aion, and Kairos. Below: red spaghetti :)

My finished prints! From left to right: Chronos, Aion, and Kairos. Below: red spaghetti 🙂

 

 

 

 

 

 

 

 

 

For explanations of the different paradigms of time these deities represent and the symbols included in the prints, please feel free to check out my final project!