Master of the St. Lucy Legend.
Lamentation Triptych: Detail
with permission of
Museo Thyssen-Bornemisza, Madrid
Donatian is always shown wearing his bishop’s mitre and holding the bishop’s crosier, and is identified by his attribute, a wheel with five tapers. The reference is to the principal miracle of his life: he was swept away by the floodwaters of the Tiber, but the pope threw a carriage wheel into the river, which miraculously found the drowning saint who clung to it for three days before reaching safety.
St. Donatian was of course the name saint of Donaes de MoorDonaes de Moor belonged to the upper eschelon of the merchant class in Bruges…, and is shown standing behind Donaes on the left wing of the Lamentation TriptychThe Lamentation triptych (ca. 1475), linked to the Master of the St. Lucy Legend by the pomegranate pattern worn by St. Donatian, bears a connection to Obrecht’s Mass for Saint Donatian in both its original location and its donors… by the Master of the St. Lucy LegendThe Master of the St. Lucy Legend was an anonymous artist active in Bruges in the late 15th century, at the same time as Hans Memling, which implies shared patrons and mutual stylistic influence….
For other representations of St. Donatian by artists active in the environs of Bruges, see:
Jan van Eyck, The Madonna with Canon van der Paele (1436)
Jan Gossaert (called Mabuse), Saint Donatian (before 1532)