Glier Inventory

In the center, there is a curl. Part of the Hoosick Field Notes collection called "Peaceful," which were completed in the fall of 2020 during the COVID-19 pandemic. Each drawing was completed at the back pond in Hoosick. I isolated with my family in Hoosick and committed to drawing for the year because I would be teaching remotely and my time would be too broken up to complete larger works. This is the beginning of the Answer Music series.

Part of the Hoosick Field Notes collection called "Peaceful," which were completed in the fall of 2020 during the COVID-19 pandemic. Each drawing was completed at the back pond in Hoosick. I isolated with my family in Hoosick and committed to drawing for the year because I would be teaching remotely and my time would be too broken up to complete larger works. This is the beginning of the Answer Music series.

Part of the Hoosick Field Notes collection called "Peaceful," which were completed in the fall of 2020 during the COVID-19 pandemic. Each drawing was completed at the back pond in Hoosick. I isolated with my family in Hoosick and committed to drawing for the year because I would be teaching remotely and my time would be too broken up to complete larger works. This is the beginning of the Answer Music series.

This one has a a shape that appears to be a reclining human figure in the bottom, but it's not. Part of the Hoosick Field Notes collection called "Peaceful," which were completed in the fall of 2020 during the COVID-19 pandemic. Each drawing was completed at the back pond in Hoosick. I isolated with my family in Hoosick and committed to drawing for the year because I would be teaching remotely and my time would be too broken up to complete larger works. This is the beginning of the Answer Music series.

Part of the Hoosick Field Notes collection called "Peaceful," which were completed in the fall of 2020 during the COVID-19 pandemic. Each drawing was completed at the back pond in Hoosick. I isolated with my family in Hoosick and committed to drawing for the year because I would be teaching remotely and my time would be too broken up to complete larger works. This is the beginning of the Answer Music series.

Part of the Hoosick Field Notes collection called "Peaceful," which were completed in the fall of 2020 during the COVID-19 pandemic. Each drawing was completed at the back pond in Hoosick. I isolated with my family in Hoosick and committed to drawing for the year because I would be teaching remotely and my time would be too broken up to complete larger works. This is the beginning of the Answer Music series.

Cradling gesture at the bottom. First of this series. Part of the Hoosick Field Notes collection called "Peaceful," which were completed in the fall of 2020 during the COVID-19 pandemic. Each drawing was completed at the back pond in Hoosick. I isolated with my family in Hoosick and committed to drawing for the year because I would be teaching remotely and my time would be too broken up to complete larger works. This is the beginning of the Answer Music series.

Version 2, completed on the same day. Part of the Hoosick Field Notes collection called "Peaceful," which were completed in the fall of 2020 during the COVID-19 pandemic. Each drawing was completed at the back pond in Hoosick. I isolated with my family in Hoosick and committed to drawing for the year because I would be teaching remotely and my time would be too broken up to complete larger works. This is the beginning of the Answer Music series.

Vertical egg shape with wiggly lines in the interior. Part of the Hoosick Field Notes collection called "Peaceful," which were completed in the fall of 2020 during the COVID-19 pandemic. Each drawing was completed at the back pond in Hoosick. I isolated with my family in Hoosick and committed to drawing for the year because I would be teaching remotely and my time would be too broken up to complete larger works. This is the beginning of the Answer Music series.

Part of the Hoosick Field Notes collection called "Peaceful."

Kind of resembles a squirrel with bushy eyes and a giant tale. Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

Drawing for MG1322. Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

Seemingly a revision of MG2325. The drawing was used in MG 1334 and appeared again in MG1686, 1689, and 1691. Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

Source for MG1315 and MG1385. Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

Looks like three of four odd creatures in a row. Became a painting, MG1383, and small gouache drawing, MG 1323. Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

Used as a source for a little painting, MG 1318. Showed at Gerald Peters, and it was David Breslin's favorite piece in the show. Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

Looks like a giant bird with multiple winged and feathered shapes. The drawing was used in MG 1334 and appeared again in MG1686, 1689, and 1691. Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

I made this during a fever brought on by Lyme Disease. Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

Multiple bird-like heads with very pointy beaks. Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

Looks like a witch. Has appeared in MG 1489, MG 1488 and MG 1516. Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

Looks like the head and legs of a bug, study fro MG1498. Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

Happy smiling face with leaves. Study for MG1416 and the shape appears in the four-panel installation MG1433. Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

Drawn at the back pond in Hoosick. It is the contour of the pond, with ripples of a stone I threw into the water coupled with a tree that had a foot-like root. Study for MG1417 and appears in the four-panel installation MG1433. Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

Drawing which was inspiration for later works. Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

Very abstract plein air drawing involving a tree squeak. Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

Drawing for gouche MG1326. Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

Grass shapes. Inspiration drawing for gouache painting MG1321. Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

Improvisational drawing that ended up looking like a crested bird, but I was not drawing a bird. Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

This sketch wound up becoming a painting, MG1337. Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

I don't remember what I was drawing, but it wound up becoming a painting, MG1433. Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

Abstraction drawn from bird sounds and bull frogs. Very early Field Notes drawing, from when I first started to draw using all my senses. Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

Abstraction drawn from bird sounds and bull frogs. Very early Field Notes drawing, from when I first started to draw using all my senses. Abstraction drawn from bird sounds and bull frogs. Very early Field Notes drawing, from when I first started to draw using all my senses. Wound up becoming a painting, MG1335. Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

Looks like a dog with a satellite on its head. Very early Field Notes drawing, from when I first started to draw using all my senses. Part of the early Field Notes, which were originally referred to as the Forest of Antarctica drawings.

two song sparrow song improvisations floating in a rocky cascade based on Berkshire streams.

man in red hoodie sitting on top of a rocky waterfall. Inspired by the cascades in the Berkshire range, but greatly enlarged, the image is about the feeling one gets sitting alone in the forest. Meditative.

A wave motif from St Martin, used to represent waves of scent. Peonies, Lilacs, phlox, roses. The dark reddish purple is the color of the fragrance, not the flower.

Abstraction of a summer Meadow with forest behind, from a memory of watching a group of cabbage butterflies circling and fluttering in a group in the meadow behind the house.

The purples of early spring, daffodil motif in the background, and the memory of an egret I saw at a pond in Williamstown

Based on a favorite plein air drawing, mg2120, The Sound of the Quick Running Brook.

The colors of Broad Brook in early April when the first greens and purples start to appear. Small stones of a water course.

The drawing was made using a motif of water falling down a mountain. The black and white motif of the gull sound was drawn from life in Lubec Maine.

Lilac color and form on top half with red, yellow and black motif of the awful call of the male Red Wing Black Bird establishing territory in the spring. Although an unpleasant noise ,the call is one of the first signs of spring and always a delight to hear.

the fragrance of peonies, roses, phlox and lilac came through the window to the TV room one night. It was overwhelming.

Feather motif in pencil and gray paint. Spring colors and small snake, which was in the garden one morning.

Two bird song motifs, one unidentified, the other is a set of horizontal overlapping waves, one of many songs of a mockingbird. The colors are fragrances from the June garden; peony, phlox, lilac.

A vertical line of spider magnolia collage elements, drawn from life. On the left is rough horizontal mark. The center forms have more shape, taken from water forms. The Magnolias are well formed. About things taking form in the spring.

Blue Heron familiar to the Hoosick River behind my house.

Growth motif in the top half, lilac colored form in bottom half surrounded by branching motif. One of a series of works about fragrance.

Cascade abstraction on striped ground. Text/color box on left says, "Poison berry, Meadow Flower, 3 Shades of Grass, Horizon, Sky", which correspond to the colors.