Glier Inventory

portfolio of 7 drawings of fig leaf contours

oak leaf orchid birds two sheets of paper

2 panels, hose, horse, heart, hand, head, heredity.

oak leaf, yellow orchid, birds on blue, white cloud shapes

head and arms with wild grape vine

black woman, leaning back

Charles Holzer, Jenny Holzer’s father

Robert Reeder, young man leaning back frontal.

words painted on found wooden clubs

back end of roots ripped from ground, cut off section of stump in lower left .

3 heads, one arm - study for Wcma wall works

norte sur written on drawing, man woman reclining, birds clouds

hanging canvas

black silhouette, Jenny and Mike

prep drawing for quito tile mural

Holzer truism: What effect does it have to show people visual proof of atrocities?

Thi si s the first study of a larger wall drawing work. Soldiers holding back a flood of mourners. Composite of many images during apartheid, designed for the space under the Brooklyn bridge. Exhibition called "Underneath the Brooklyn Bridge." Commissioned by the WPA, exhibition there and then to Brooklyn and James Coen Gallery in NYC.

This is the kept version of a wall drawing done for The Washington Project for the Arts in 1986, and shown successively at Galerie Tanja Grunert, Cologne
“Wall Drawing,” Ezra and Cecile Zilkha Gallery, and at Wesleyan University, Middletown, Connecticut. The image is a composite of many images from apartheid, showing soldiers holding back of flood of mourners. An image of the wall drawing can be seen in Projects: Mike Glier, by the Museum of Modern Art in New York, archived and digitized at https://assets.moma.org/documents/moma_catalogue_2172_300062814.pdf

Richard Burton as king - while male power series.

jesse helms offering chocolate

2 figures

2 figures, female

1 figure, male

5 standing figures

Three images of people with senses removed. Same image as Witness (MG076) but has text “Leave No Witness” distributed over the three panels

gray dogs silhouettes

sketch for “Hairs breadth” installation at La Jolla Museum of Art

poster and announcement for Kitchen exhibition, “Training for Leisure: A Public Display of Collapsed Desire Designed for the Next World’s Fair,”

same image as “men at home: sitting” Drawing of Richard Holzer, Jenny Holzer’s father, watching TV