http://www.youtube.com/watch?v=bGVqMK_wZtA
Fairport Convention’s folk rock version (Maidstone, 1970)
MUSICAL RENDITIONS
Edward Francis Rimbault,
Musical Illustrations of Bishop Percy’s Reliques of Ancient English Poetry (1850)
Robert Pearsall, in 10 parts, sung by the Bach Choir (1892)
The Musical Times, 1905
G.J. Bennet, edited and arranged for 8 voices (1876)
W.A. Barratt, a Ballad for Baritone Solo, Chorus, and Orchestra’ (1907)
Thea Musgrave, for tenor and guitar (traditional) (1961)
Buffy Sainte-Marie on Life Wheel Spin and Spin (1966) PLAY
Nic Jones on Ballads and Songs (1970) PLAY
Fairport Convention’s folk rock version on Full House (1971) PLAY
Michael Cooney on Still Cooney After All These Years (1979)
Geoff Kauffman on Fair Stood the Wind (1987) PLAY
Jackie Leven on Fairytales for Hardmen (1997) PREVIEW
Martin Carthy on Signs of Life (1998) PREVIEW
Rick Fielding on This One’s the Dreamer (1999)
June Tabor on An Echo of Hooves (2003) PLAY
John Langstaff and Martin Best on Nottamun Town: British and American Folksongs and Ballads(2003) PREVIEW
Robin Williamson on The Iron Stone (2006) PREVIEW
Gordon Bok on In Concert (2006) PREVIEW
Kris Drever on Black Water (2006) PREVIEW
John Roberts on Sea Fever (2007) PREVIEW
ARTISTIC RENDITIONS
‘Now, Ever Awake My Master Dear, I Fear a Deadly Storm’, Anne Ryan 1947. Indianapolis Museum of Art. VIEW
James Archer, ‘The Legend of Sir Patrick Spens’, Auckland Art Gallery
Elizabeth Eleanor Siddal, ‘The Ladies’ Lament from the Ballad of Sir Patrick Spens’, 1856.
Selected prose and poetry that demonstrate the ballad’s variety of influence on both British and American writers beginning with the works of Samuel Taylor Coleridge and the Romantics and continuing through to the twenty-first century. See our Spens Library for an extended listing.
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