Final Project Musings

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At the moment, my research project is two-fold. I am interested in two very different (but perhaps, not so different) subjects that, like many things in the black community, are rooted in the history of slavery.

First, the issue, or shall I say, epidemic, of police brutality against black bodies has erupted in the media over the last few years. Of course, just because the media finally wants to pay attention doesn’t mean this hasn’t been happening since the 1800s…

This past summer, I looked at this issue from a US Policy perspective and tried to 1) establish whether or not the literature supported the lived experiences of literally every black person I’ve ever met (the answer is no). 2) What policies were in place that allowed these murders to continue happening with apparent impunity and 3) What policies could possibly be put into place to help eradicate this issue and promote communication if not trust between the black community and law enforcement.

I discovered that not only is there no “concrete” statistical proof that such an epidemic is even occurring (big surprise…) but that there aren’t even established ways to measure or document police brutality. This means that every single source, from the FBI, to the Justice Department to the Police Departments themselves had different stats and therefore different opinion about what was going on. Unfortunately, I couldn’t get to the bigger questions because I spent the rest of my report explaining how objectivity in these types of studies/reports is a myth. Every organization has a stake in what the results show OR are controlled/paid by people who do.

I would be interested in moving away from the the “objective” policy/statistical perspective of this issue and onto a more subjective view but how I will do this is still very much up in the air.

My second subject is much less developed but I would be interested in connecting it to the first. I have sung gospel my entire life and I know that gospel music is deeply rooted in the pain and suffering of American slaves and has now evolved into a much wider style of music that is apparently accessible to anyone. All kinds of people sing it now, laying claim to it because it “sounds cool” or is “entertaining” or is “powerful.” But the violence that created this sound is just as real as the violence that created hip-hop, and just as real as the violence that created Janelle Monae’s “Hell You Talmbout.”  Do you see where I’m going here? Still musing…

142 thoughts on “Final Project Musings”

  1. What an incredible and vital topic for a research project. Your realization that ‘objectivity’ in these reports is a myth is a profound hurdle, but shifting to a subjective, cultural view through the lens of gospel and music born from trauma makes complete sense. Best of luck as you continue to tie these threads together!

    Cheers,

  2. This article reflects on research into police violence, Black identity, and the challenges of finding objective evidence within policy and statistics. It also connects these issues to gospel music, showing how cultural expression can carry both pain and creative power.

  3. I love how you’re connecting these two. That struggle with ‘objective’ police data is so real—systems rarely document their own violence honestly. Turning to gospel as a historical archive of lived experience and resistance seems like a brilliant way to bridge that gap. Looking forward to seeing how your project develops!

  4. You’ve hit on something profoundly frustrating but deeply true about how systemic power operates: when it comes to law enforcement, the system demands an “objectivity” that it actively refuses to measure, effectively gaslighting an entire community by saying,.

  5. Reading this reminded me of how messy final projects can feel near the end lol. I actually found the post while browsing discussions connected to sweep coins casino and it’s nice seeing someone be honest about the process instead of pretending everything goes perfectly. Sometimes the reflections after finishing teach more than the project itself.

  7. I was surprised to see October 1, 2015 as the date and realize there’s still no standard way to measure police brutality-flexible cardan shafts just popped into my head for some reason-plus Sharldine Desire’s point about gospel music evolving from slavery really hit home, and those different FBI and Justice Department stats blew my mind.

  8. This was such a powerful and thought-provoking reflection. I really appreciate how you connected police brutality, slavery, gospel music, and modern Black artistic expression into one larger historical conversation. Your point about “objectivity” in policy and statistical studies being influenced by institutions and power structures was especially striking.

    The discussion about gospel music evolving from the pain and suffering of enslaved people into a widely consumed art form was especially impactful. It really makes readers think about how history, culture, and resistance continue to shape modern music and activism. Your writing encourages deeper critical thinking instead of the surface-level learning people often get from sites like Exam Topics Dumps that focus only on certification dumps and memorization. I’d love to see how you continue developing these ideas in your final project.

  9. This is such a powerful and important project. Your approach to examining police brutality through a policy lens, with roots in historical injustice, is incredibly insightful. It makes me think about how understanding these historical narratives is crucial for shaping present-day dialogues, perhaps even in how we communicate and share these stories, echoing the kind of personalized storytelling that tools like ai voice cloning can facilitate.

  10. Explore what policy changes could be implemented to reduce these occurrences and improve Among Us communication, if not rebuild trust, between Black communities and law enforcement.

  11. This is a deeply thought-provoking reflection. Connecting the historical roots of systemic violence with the evolution of gospel music is a powerful perspective. It reminds us that art carries the emotional weight of history in ways that raw policy data simply cannot capture.

    Visual storytelling plays a crucial role when documenting these meaningful cultural expressions and community events. For anyone looking to share or archive photos from these performances, using an ai image editor is a great way to refine the lighting and colors, helping the visuals convey the same depth and emotion as the music itself. I am really looking forward to seeing where your research goes!

  12. My second area of interest is gospel music, which is rooted in the pain, resilience, and spiritual expression of enslaved Africans in America. While gospel has evolved and become widely performed across different communities, its origins in suffering and resistance are often overlooked. This raises important questions about cultural ownership, appropriation, and the ways in which Black cultural expressions are consumed without fully acknowledging the historical violence that shaped them.

  13. Beautiful performance! To make sure your photos from special events like this look as professional as the music sounds, I recommend using an ai image editor. It’s the easiest way to polish your visuals and lighting in seconds. Thanks for sharing this video!

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  27. You briefly mention that this has been happening “since the 1800s.” It could be useful to explicitly connect modern policing to earlier systems such as slave patrols and Black Codes. That historical linkage strengthens your argument that current policy failures are not accidental but structurally embedded.
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  39. ooted historically in slavery, Jim Crow, and structural racism, continuing in modern forms. Your first project explored this from a policy/statistical perspective and ran into the limits of “objective” datazelisproviders

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  42. Right now your first project hit a wall that almost everyone hits when they try to “prove” police brutality with numbers: the system that produces the violence also produces the data about it. That’s not a glitch. That’s the design. From slave patrols to modern policing, Black surveillance has always been bureaucratic. What you found transunioncredit

  43. This reflection powerfully connects historical trauma, systemic violence, and cultural expression, showing how lived experience challenges so-called objectivity. The link to music feels especially striking. For a break, review and play Drift Hunters for free at https://drifthuntersworld.com/ , including Drift Hunters Unblocked.

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  65. It’s eye-opening how the issue of police brutality against black communities has deep historical roots. The lack of concrete data on such a critical topic is troubling. How can we address systemic issues without accurate information?

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