{"id":1210,"date":"2016-03-01T00:18:56","date_gmt":"2016-03-01T05:18:56","guid":{"rendered":"http:\/\/sites.williams.edu\/thea350-16s\/?p=1210"},"modified":"2016-03-01T00:18:56","modified_gmt":"2016-03-01T05:18:56","slug":"reflect-write-4","status":"publish","type":"post","link":"https:\/\/sites.williams.edu\/thea350-16s\/uncategorized\/reflect-write-4\/","title":{"rendered":"Reflect + Write"},"content":{"rendered":"

Word\/Text Art\/Play<\/span><\/strong><\/p>\n

-John My Father is Secretly A Nudist (5\/50)<\/span><\/p>\n

-Omar Puns (As a form unto themselves)<\/span><\/p>\n

-Gabrielle\u2019s Letters in Easter, 1996 (5\/50)<\/span><\/p>\n

-Paige \u201cCalling All Nymphets\u201d Lolita (5\/50)<\/span><\/p>\n

-Bailey \u201cDeer\u201d Live Forever (5\/50)<\/span><\/p>\n

-Paige \u201cMy OCD Is Not\/Is\u2026\u201d Obsessive. Compulsive (5\/50)<\/span><\/p>\n

-Sarah \u201cYouth Man\u201d Peter (5\/50)<\/span><\/p>\n

-Kimmy Five Senses \u201cSight\u201d and \u201cSight and Touch\u201d<\/span><\/p>\n

-John Brail in Five Senses<\/span><\/p>\n

-Kimmy Posters for Black Panther Party<\/span><\/p>\n

Romanticized or Perverted Memory<\/span><\/strong><\/p>\n

-Bailey \u201cBailey and the Bruja” (5\/50)<\/span><\/p>\n

-Carina \u201cTitanic\u201d (5\/50)<\/span><\/p>\n

-Gabrielle \u201cJuxtapositions: Love is\u2026\u201d <\/span><\/p>\n

-Molly Show Don\u2019t Tell \u201cShow me what you found\u201d <\/span><\/p>\n

-Phoebe Show Don\u2019t Tell Memory<\/span><\/p>\n

Coping with Mortality<\/span><\/strong><\/p>\n

-Bailey \u201cBrothers\u201d (5\/50)<\/span><\/p>\n

-Phoebe \u201cOuija Board\u201d (5\/50)<\/span><\/p>\n

-Sophia \u201cCosmogeny\u201d (5\/50)<\/span><\/p>\n

-Carina Show Don\u2019t Tell <\/span><\/p>\n

-Molly Cremation (5\/50)<\/span><\/p>\n

Thing I Made:<\/span><\/strong><\/p>\n

\u201cWind\u201d and \u201cBlue\u201d<\/span><\/p>\n

There\u2019s something interesting to me about creating something hypnotic or lulling that is either punctured by the middle finger in \u201cWind\u201d or just unsettling like the pigment in \u201cBlue.\u201d<\/span><\/p>\n

\u201cShow Don\u2019t Tell\u201d (and sort-of the quick little piece from Will\u2019s class)<\/span><\/p>\n

I think they both ended up playing with a performer\u2019s relationship and responsibility to the audience; I like the dance between making the viewers\u00a0invisible and reaching out to touch them. <\/span><\/p>\n

Things Other People Made:<\/span><\/strong><\/p>\n

David\u2019s Juxtaposition: Quarter Life Crisis with Sophia\u2019s The Story of David Carter. <\/span><\/p>\n

The combination of the two was so unsettling and incredible, not to mention that I think that the transcript of David\u2019s archive of his performance would make a great monologue. <\/span><\/p>\n

Carina\u2019s Juxtaposition <\/span><\/p>\n

The use of the space, the unique way of putting the audience on stage in this exposed compromised way are all things I would really love to see this expanded into a larger piece. <\/span><\/p>\n

Maddie\u2019s \u201cA combination of cacao powder and sea salt, served on a plastic spoon.\u00a0<\/span>Should taste like dirt, blood, and tears.\u201d<\/span><\/p>\n

That text was brilliant and hilarious and, with that put into my head, tiny taste on a finger tip (much like how you would taste blood, tears and dirt)\u00a0it made strange even though I could very much identify the salt and the bitterness of the cacao.\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Word\/Text Art\/Play -John My Father is Secretly A Nudist (5\/50) -Omar Puns (As a form unto themselves) -Gabrielle\u2019s Letters in Easter, 1996 (5\/50) -Paige \u201cCalling All Nymphets\u201d Lolita (5\/50) -Bailey \u201cDeer\u201d Live Forever (5\/50) -Paige \u201cMy OCD Is Not\/Is\u2026\u201d Obsessive. Compulsive (5\/50) -Sarah \u201cYouth Man\u201d Peter (5\/50) -Kimmy Five Senses \u201cSight\u201d and \u201cSight and Touch\u201d … Continue reading Reflect + Write<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1211,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1210","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.williams.edu\/thea350-16s\/wp-json\/wp\/v2\/posts\/1210","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.williams.edu\/thea350-16s\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.williams.edu\/thea350-16s\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/thea350-16s\/wp-json\/wp\/v2\/users\/1211"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/thea350-16s\/wp-json\/wp\/v2\/comments?post=1210"}],"version-history":[{"count":1,"href":"https:\/\/sites.williams.edu\/thea350-16s\/wp-json\/wp\/v2\/posts\/1210\/revisions"}],"predecessor-version":[{"id":1212,"href":"https:\/\/sites.williams.edu\/thea350-16s\/wp-json\/wp\/v2\/posts\/1210\/revisions\/1212"}],"wp:attachment":[{"href":"https:\/\/sites.williams.edu\/thea350-16s\/wp-json\/wp\/v2\/media?parent=1210"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.williams.edu\/thea350-16s\/wp-json\/wp\/v2\/categories?post=1210"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.williams.edu\/thea350-16s\/wp-json\/wp\/v2\/tags?post=1210"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}