{"id":1197,"date":"2016-02-29T21:09:18","date_gmt":"2016-03-01T02:09:18","guid":{"rendered":"http:\/\/sites.williams.edu\/thea350-16s\/?p=1197"},"modified":"2016-02-29T21:09:18","modified_gmt":"2016-03-01T02:09:18","slug":"reflect-write-3","status":"publish","type":"post","link":"https:\/\/sites.williams.edu\/thea350-16s\/uncategorized\/reflect-write-3\/","title":{"rendered":"Reflect + Write"},"content":{"rendered":"<p>Themes\/Groupings:<\/p>\n<ul>\n<li>Love:\n<ul>\n<li>Gabrielle &#8211; 3 Dates and a Wedding (5\/50)<\/li>\n<li>Paige \u2013 Us (5\/50)<\/li>\n<li>John \u2013 You and Me (5\/50)<\/li>\n<li>Kimmy &#8211; A Kiss for the Heart to Grow (5\/50)<\/li>\n<li>Molly \u2013 The Origin of Love (5\/50)<\/li>\n<li>Maddie \u2013 Socks, and Ketchup, and a Golf Field (5\/50)<\/li>\n<li>John \u2013 Hotels Across the Country (Juxtapositions)<\/li>\n<li>Molly \u2013 The End of the World (Juxtapositions)<\/li>\n<li>Gabrielle \u2013 Love Is\u2026 (Juxtapositions)<\/li>\n<li>Paige \u2013 Genesis of Love (Juxtapositions)<\/li>\n<\/ul>\n<\/li>\n<li>Personal Honesty\n<ul>\n<li>Paige \u2013 Obsessive Compulsive (5\/50)<\/li>\n<li>Molly \u2013 Realizing Tourettes (5\/50)<\/li>\n<li>Carina \u2013 Failure (5\/50)<\/li>\n<li>David \u2013 It Runs in the Family (5\/50)<\/li>\n<li>David \u2013 David\u2019s Quarter-Life Crisis\/Panic Attack (Juxtapositions)<\/li>\n<\/ul>\n<\/li>\n<li>Memory\/Forgetting\n<ul>\n<li>John \u2013 Short-term Memory (5\/50)<\/li>\n<li>Sarah \u2013 Peter (5\/50)<\/li>\n<li>Gabrielle &#8211; Goodnight, Soldier (5\/50)<\/li>\n<li>Phoebe \u2013 ELI5 and Show, Don\u2019t Tell<\/li>\n<\/ul>\n<\/li>\n<li>Origin\/Childhood\/The Beginning of Something\n<ul>\n<li>Gabrielle \u2013 Easter, 1996 (5\/50)<\/li>\n<li>Molly \u2013 The Origin of Love (5\/50)<\/li>\n<li>Molly &#8211; Adam and Eve (5\/50)<\/li>\n<li>Molly \u2013 Suspicious Grapes (5\/50)<\/li>\n<li>Sophia \u2013 Cosmogeny (5\/50)<\/li>\n<li>Bailey \u2013 Brothers (5\/50)<\/li>\n<li>Molly \u2013 Show, Don\u2019t Tell<\/li>\n<li>Paige \u2013 Genesis of Love (Juxtapositions)<\/li>\n<\/ul>\n<\/li>\n<li>Death\/The End of Something\n<ul>\n<li>Sarah \u2013 Gram (5\/50)<\/li>\n<li>Molly \u2013 Cremation (5\/50)<\/li>\n<li>Phoebe \u2013 Tip Tap (5\/50)<\/li>\n<li>Maddie \u2013 5 Senses<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p>2-3 Things I Made:<\/p>\n<ul>\n<li>3 Dates and a Wedding (5\/50)<\/li>\n<li>Love Is\u2026 (Juxtapositions)<\/li>\n<li>Albinism (Show, Don\u2019t Tell)<\/li>\n<\/ul>\n<p>These three objects of mine were most interesting to me because they progressed in order from most to least personal as I became interested in experimenting with truth and playing pretend.<\/p>\n<p>3-5 Things Other People Made:<\/p>\n<ul>\n<li>Sophia \u2013 Cosmogeny (5\/50)<\/li>\n<li>Paige \u2013 Genesis of Love (Juxtapositions)<\/li>\n<li>Molly \u2013 The End of the World (Juxtapositions)<\/li>\n<li>Jackson \u2013 Show, Don\u2019t Tell<\/li>\n<li>Bailey \u2013 Show, Don\u2019t Tell<\/li>\n<\/ul>\n<p>To me, these 5 objects all distorted beauty in some way. Sophia\u2019s Cosmogeny was so visually perfect that it was disturbing. Paige\u2019s Genesis of Love took the possibility of romance in the story of Adam and Eve and twinged it with ironic commentary. Molly\u2019s The End of the World combined beauty and sadness. Jackson\u2019s Show, Don\u2019t Tell put us as audience in the strange position of voyeurs and equals in conversation; our vantage point was beautiful but our role was colloquial. Finally, Bailey\u2019s Show, Don\u2019t Tell was like Sophia\u2019s Cosmogeny in that it was aesthetically beautiful to the point of being perverse.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Themes\/Groupings: Love: Gabrielle &#8211; 3 Dates and a Wedding (5\/50) Paige \u2013 Us (5\/50) John \u2013 You and Me (5\/50) Kimmy &#8211; A Kiss for the Heart to Grow (5\/50) Molly \u2013 The Origin of Love (5\/50) Maddie \u2013 Socks, and Ketchup, and a Golf Field (5\/50) John \u2013 Hotels Across the Country (Juxtapositions) Molly &hellip; <a href=\"https:\/\/sites.williams.edu\/thea350-16s\/uncategorized\/reflect-write-3\/\" class=\"more-link\">Continue reading <span class=\"screen-reader-text\">Reflect + Write<\/span> <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1210,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1197","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.williams.edu\/thea350-16s\/wp-json\/wp\/v2\/posts\/1197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.williams.edu\/thea350-16s\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.williams.edu\/thea350-16s\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/thea350-16s\/wp-json\/wp\/v2\/users\/1210"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/thea350-16s\/wp-json\/wp\/v2\/comments?post=1197"}],"version-history":[{"count":1,"href":"https:\/\/sites.williams.edu\/thea350-16s\/wp-json\/wp\/v2\/posts\/1197\/revisions"}],"predecessor-version":[{"id":1201,"href":"https:\/\/sites.williams.edu\/thea350-16s\/wp-json\/wp\/v2\/posts\/1197\/revisions\/1201"}],"wp:attachment":[{"href":"https:\/\/sites.williams.edu\/thea350-16s\/wp-json\/wp\/v2\/media?parent=1197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.williams.edu\/thea350-16s\/wp-json\/wp\/v2\/categories?post=1197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.williams.edu\/thea350-16s\/wp-json\/wp\/v2\/tags?post=1197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}