1. I would really like us to keep and expand upon ways of putting the audience in unique situations that they aren’t used to in a traditional theatrical context, such as the opening, or some of our other participatory performances. I’d be interested in developing those ideas further and making them more connected and cohesive. We currently have a lot of different, disparate ways that the audience is involved in the performance, and I’m curious about ways we could make those different ways more connected, so that the audience has an understanding of the general rules of how the space works, even if small things change moment to moment.

2. I feel like a lot of the work we’ve made that is not performance based has run its course. I think the ideas contained in that work are interesting and there is definitely potential to expand upon them, but I think we’ve now moved beyond the usefulness of showing the more static, non-performance based work. It seems to not engage the audience in the same way as the live performances, and I think the format of presentation of all of those objects is a little crippling- it very distinctly shapes how we set up our space, and it allows the audience to distance themselves from some of the work, which I feel ended up at odds with the more immersive performances.

3. We haven’t really talked about creating something with more distinctive characters and moments of more narrative. I’m not necessarily saying that we should prescribe narrative to the entire piece, but I would be interested in exploring ways to add a character or two into the piece and letting their choices shape parts of a narrative tying different moments together.