{"id":51,"date":"2022-11-28T10:53:58","date_gmt":"2022-11-28T15:53:58","guid":{"rendered":"https:\/\/sites.williams.edu\/soc335-f22\/?page_id=51"},"modified":"2022-12-25T13:00:46","modified_gmt":"2022-12-25T18:00:46","slug":"bangsamoro","status":"publish","type":"page","link":"https:\/\/sites.williams.edu\/soc335-f22\/bangsamoro\/","title":{"rendered":"Bangsamoro"},"content":{"rendered":"<h2 style=\"text-align: center\">Postcard 1: <i>Tipos del Pa\u00eds<\/i><\/h2>\n<div id='gallery-1' class='gallery galleryid-51 gallery-columns-3 gallery-size-large'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/sites.williams.edu\/soc335-f22\/bangsamoro\/attachment\/la-india-manilena\/'><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"904\" src=\"https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India-Manilena-725x1024.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India-Manilena-725x1024.png 725w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India-Manilena-213x300.png 213w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India-Manilena-768x1084.png 768w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India-Manilena-1088x1536.png 1088w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India-Manilena.png 1275w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/sites.williams.edu\/soc335-f22\/bangsamoro\/attachment\/la-mestiza-espanola\/'><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"904\" src=\"https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Mestiza-Espanola-725x1024.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Mestiza-Espanola-725x1024.png 725w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Mestiza-Espanola-213x300.png 213w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Mestiza-Espanola-768x1084.png 768w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Mestiza-Espanola-1088x1536.png 1088w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Mestiza-Espanola.png 1275w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/sites.williams.edu\/soc335-f22\/bangsamoro\/attachment\/la-espanola\/'><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"904\" src=\"https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Espanola-725x1024.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Espanola-725x1024.png 725w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Espanola-213x300.png 213w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Espanola-768x1084.png 768w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Espanola-1088x1536.png 1088w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Espanola.png 1275w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/sites.williams.edu\/soc335-f22\/bangsamoro\/attachment\/la-india-provinciana\/'><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"904\" src=\"https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India-Provinciana-725x1024.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India-Provinciana-725x1024.png 725w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India-Provinciana-213x300.png 213w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India-Provinciana-768x1084.png 768w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India-Provinciana-1088x1536.png 1088w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India-Provinciana.png 1275w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/sites.williams.edu\/soc335-f22\/bangsamoro\/attachment\/tipos-del-pais-la-mora\/'><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"904\" src=\"https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/Tipos-del-Pais-La-Mora-725x1024.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/Tipos-del-Pais-La-Mora-725x1024.png 725w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/Tipos-del-Pais-La-Mora-213x300.png 213w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/Tipos-del-Pais-La-Mora-768x1084.png 768w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/Tipos-del-Pais-La-Mora-1088x1536.png 1088w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/Tipos-del-Pais-La-Mora.png 1275w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/sites.williams.edu\/soc335-f22\/bangsamoro\/attachment\/la-india-vieja\/'><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"904\" src=\"https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India-vieja-725x1024.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India-vieja-725x1024.png 725w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India-vieja-213x300.png 213w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India-vieja-768x1084.png 768w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India-vieja-1088x1536.png 1088w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India-vieja.png 1275w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/sites.williams.edu\/soc335-f22\/bangsamoro\/attachment\/la-india\/'><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"904\" src=\"https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India-725x1024.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India-725x1024.png 725w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India-213x300.png 213w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India-768x1084.png 768w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India-1088x1536.png 1088w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-India.png 1275w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/sites.williams.edu\/soc335-f22\/bangsamoro\/attachment\/la-mestiza-sangley-y-china\/'><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"904\" src=\"https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Mestiza-Sangley-y-China-725x1024.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Mestiza-Sangley-y-China-725x1024.png 725w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Mestiza-Sangley-y-China-213x300.png 213w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Mestiza-Sangley-y-China-768x1084.png 768w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Mestiza-Sangley-y-China-1088x1536.png 1088w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Mestiza-Sangley-y-China.png 1275w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/sites.williams.edu\/soc335-f22\/bangsamoro\/attachment\/la-sangley-china\/'><img loading=\"lazy\" decoding=\"async\" width=\"640\" height=\"904\" src=\"https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Sangley-China-725x1024.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Sangley-China-725x1024.png 725w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Sangley-China-213x300.png 213w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Sangley-China-768x1084.png 768w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Sangley-China-1088x1536.png 1088w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/La-Sangley-China.png 1275w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p style=\"text-align: center\">(Click on entries for more detail)<\/p>\n<table>\n<tbody>\n<tr>\n<td>The Native Woman of Manila<\/td>\n<td>The Woman of Mixed Native and Spanish Heritage<\/td>\n<td>The Spanish Woman<\/td>\n<\/tr>\n<tr>\n<td>The Provincial Native Woman<\/td>\n<td>The Moro (Muslim) Woman<\/td>\n<td>The Old Native Woman<\/td>\n<\/tr>\n<tr>\n<td>The Native Saleswoman of the Field<\/td>\n<td>The Woman of Mixed Native and Sangley (Hokkien Chinese) Heritage<\/td>\n<td>The Sangley (Hokkien Chinese) Woman<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>The natively developed Philippine artform of <i>tipos del pa\u00eds <\/i>(lit. <i>types of the land<\/i>) relentlessly cataloged as many \u201ctypes\u201d of Philippine costume and phenotype as possible (Clark 2014, 74). Example illustrations from the artform\u2019s peak in the 1840s came printed with obsessively specific designations of \u201cChino\u201d (Chinese), \u201cIndio\u201d (lit. <i>Indian<\/i>, referring to \u201cnative\u201d), \u201cMestizo de Espa\u00f1ol\u201d\u00a0 (lit. <i>Mixed with Spanish<\/i>), and \u201cMestizo de Sangley\u201d (lit. <i>Mixed with Sangley<\/i> [<i>Hokkien Chinese<\/i>]) and the occasional indigenous \u201cIgorot\u201d (an exonym for Ifugao peoples).<\/p>\n<p><i>Tipos<\/i> most often came in the form of literal postcards\u2014available as souvenirs of the \u201cexotic\u201d colony\u2014or as illustrations within travel books, where they represented the \u201ctypes\u201d of people able to be encountered in the Philippines by (presumably Hispanic) travelers.<\/p>\n<p>The illustrations featured are from native 19th century artists Jos\u00e9 Honorato Lozano (<i>La Mestiza Sangley y China<\/i>) and Justiniano Asunci\u00f3n (all other illustrations), who are considered to have been two of the most prominent artists within the genre. Their work within the genre, together with that of contemporary Dami\u00e1n Domingo, demonstrated an attempt at defining what exact \u201ctypes\u201d of people \u201cbelonged\u201d within the borders of a slowly emerging \u201cFilipino\u201d nationality. These artists, notably, all originated from Tagalophone and predominantly ethnically Tagalog areas.<\/p>\n<p>Despite Moro peoples existing within the <i>prescribed<\/i> boundaries of the Spanish colony, and (caricatured) Moros featuring in contemporary popular culture (as in the Moro-moro dance), only one explicitly labeled set of Moro <i>tipos <\/i>has ever been publicly archived. The \u201cMoro[s] de Jol\u00f3\u201d <i>tipos <\/i>were produced by Filipino illustrator F\u00e9lix Mart\u00ednez in 1887, decades after the artform\u2019s peak, apparently only for the use of contemporary Spanish anthropologists (Roces 2021).<\/p>\n<p>Other non-Christian (but also non-Muslim) groups would contrastingly still appear in travel books such as Lozano\u2019s Spanish-language <i>Vistas de las yslas Filipinas y trages de sus abitantes <\/i>[sic], even if Christian Filipino illustrators would depict them incredibly disparagingly.<\/p>\n<p><i>Tipos del pais<\/i> have seen a massive resurgence in popularity since the 2010s\u2014 for many contemporary consumers, they have become a \u201cdelicious affirmation of a single version of a nation\u2019s narrative of becoming.\u201d (Roces 2021). Yet Moros\u2014\u201cMuslim Filipinos\u201d\u2014are left out.<\/p>\n<p>This postcard\u2014or rather, set of postcards\u2014asks the question of what it means to be excluded from an artform meant to depict <i>every <\/i>type of person belonging to the prototypical \u201cnation.\u201d If Moros were deemed <i>outside<\/i> of the (Tagalog-centric) \u201cFilipino\u201d nation for centuries, what does it mean for the postwar Philippine state to claim them as <i>definitively <\/i>anti-colonial \u201cFilipinos\u201d?<\/p>\n<p>Sources:<\/p>\n<p>Clark, John, Michelle Antoinette, and Caroline Turner. \u201cThe Worlding of the Asian Modern.\u201d In\u00a0<i>Contemporary Asian Art and Exhibitions: Connectivities and World-Making<\/i>, 67\u201388. ANU Press, 2014. <a href=\"http:\/\/www.jstor.org\/stable\/j.ctt13wwv81.7\">http:\/\/www.jstor.org\/stable\/j.ctt13wwv81.7<\/a>.<\/p>\n<p>Lozano, Jose Honorato. <i>Vistas de las yslas Filipinas y trages de sus abitantes, 1847. Manila,\u00a0<\/i><i>Philippines.<\/i><\/p>\n<p>Roces, Marian. \u201cCostumes, colleci\u00f3nes del trajes, costumbres, costumbrista.\u201d In <i>Mapping\u00a0 <\/i><i>Philippine Material Culture<\/i>, 2021. https:\/\/philippinestudies.uk\/mapping\/tours\/show\/21<\/p>\n<hr \/>\n<h2 style=\"text-align: center\">Postcard 2: Morolands<\/h2>\n<p style=\"text-align: center\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-251 size-large\" src=\"https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/Morolands-683x1024.png\" alt=\"\" width=\"640\" height=\"960\" srcset=\"https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/Morolands-683x1024.png 683w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/Morolands-200x300.png 200w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/Morolands-768x1152.png 768w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/Morolands-1024x1536.png 1024w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/Morolands.png 1200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<p>The <i>separatist<\/i> <i>concept<\/i> of Bangsamoro has emerged as the Philippine autonomous region of Bangsamoro. The area\u2019s current map\u2014indicated in green\u2014collectivizes several Muslim-majority provinces, vaguely mapping onto the historical spread of Philippine sultanates.<\/p>\n<p>The historical area of sultanates not included under the new divisions of Bangsamoro\u2014 the historical reach of the Sultanate of Sulu indicated in blue, the Sultanate of Maguindanao indicated in yellow\u2014sometimes breached what are now modern international boundaries, extending into the contemporary territory of the neighboring country of Malaysia.<\/p>\n<p>I\u2019ve grayed out the remainder of the Philippine Islands to match the same tone of\u00a0 external \u201cforeign\u201d Malaysia\u2014while the physical boundaries of territories still remain, the distinct colored delineation of the nation-state has given way to a perceptibly ambiguous grouping of islands.<\/p>\n<hr \/>\n<h2 style=\"text-align: center\">Postcard 3: Together and Apart<\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-247 size-large\" src=\"https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/Bandila-683x1024.png\" alt=\"\" width=\"640\" height=\"960\" srcset=\"https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/Bandila-683x1024.png 683w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/Bandila-200x300.png 200w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/Bandila-768x1152.png 768w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/Bandila-1024x1536.png 1024w, https:\/\/sites.williams.edu\/soc335-f22\/files\/2022\/12\/Bandila.png 1200w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/p>\n<p>The immediate predecessor administrative region to Bangsamoro\u2014the Autonomous Region in Muslim Mindanao (abbreviated as ARMM)\u2014was recognized by the federal Philippine state more as a distinctive grouping of provinces than a separate national identity. The Manila-directed Muslim Mindanao Autonomy Act No. 12 (1992), which had been applied to ARMM, contained several passages expounding on this interpretation of regional autonomy.<\/p>\n<p>Among other stipulations, the act specified that the ARMM flag was to be always \u201craised lower than the Philippine flag,\u201d as if to serve as a physical reminder of the federal domination of the Manila government over the borders and constituents of the ARMM.<\/p>\n<p>The Bangsamoro Autonomy Act No.1 (2019), having replaced the MMAA No.12 after its Supreme Court declaration of unconstitutionality, instead dictates that the Bangsamoro flag is to <i>always<\/i> be \u201craised <b>alongside <\/b>the Philippine flag,\u201d implying a greater equality in national identity.<\/p>\n<p>Bangsamoro\u2014while still constitutionally prevented from secession\u2014is allowed to be a nation <i>within<\/i> the nation-state of the greater Philippines, and to portray itself as having legitimacy.<\/p>\n<p>Sources:<\/p>\n<p>Tawi-Tawi Provincial Government.\u00a0 &#8220;AN ACT ADOPTING THE OFFICIAL FLAG OF THE BANGSAMORO AUTONOMOUS REGION IN MUSLIM MINDANAO.\u201d Facebook post. August 28, 2019. <a href=\"https:\/\/www.facebook.com\/tawitawigovernment\/posts\/08282019-office-of-the-chief-minister-barmm-compound-cotabato-city-maguindanao-b\/2551989654852316\/\">https:\/\/www.facebook.com\/tawitawigovernment\/posts\/08282019-office-of-the-chief-minister-barmm-compound-cotabato-city-maguindanao-b\/2551989654852316\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Postcard 1: Tipos del Pa\u00eds (Click on entries for more detail) The Native Woman of Manila The Woman of Mixed Native and Spanish Heritage The Spanish Woman The Provincial Native Woman The Moro (Muslim) Woman The Old Native Woman The &hellip; <a href=\"https:\/\/sites.williams.edu\/soc335-f22\/bangsamoro\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":190,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-51","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.williams.edu\/soc335-f22\/wp-json\/wp\/v2\/pages\/51","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.williams.edu\/soc335-f22\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.williams.edu\/soc335-f22\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/soc335-f22\/wp-json\/wp\/v2\/users\/190"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/soc335-f22\/wp-json\/wp\/v2\/comments?post=51"}],"version-history":[{"count":10,"href":"https:\/\/sites.williams.edu\/soc335-f22\/wp-json\/wp\/v2\/pages\/51\/revisions"}],"predecessor-version":[{"id":408,"href":"https:\/\/sites.williams.edu\/soc335-f22\/wp-json\/wp\/v2\/pages\/51\/revisions\/408"}],"wp:attachment":[{"href":"https:\/\/sites.williams.edu\/soc335-f22\/wp-json\/wp\/v2\/media?parent=51"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}