{"id":13,"date":"2012-02-28T14:55:59","date_gmt":"2012-02-28T14:55:59","guid":{"rendered":"http:\/\/sites.williams.edu\/sirpatrickspens\/?page_id=13"},"modified":"2012-07-16T19:21:13","modified_gmt":"2012-07-16T19:21:13","slug":"afterlife","status":"publish","type":"page","link":"https:\/\/sites.williams.edu\/sirpatrickspens\/afterlife\/","title":{"rendered":"Afterlife"},"content":{"rendered":"
\n

http:\/\/www.youtube.com\/watch?v=bGVqMK_wZtA<\/p>\n

Fairport Convention’s folk rock version (Maidstone, 1970) <\/em><\/p>\n

MUSICAL RENDITIONS<\/strong><\/h4>\n

Edward Francis Rimbault<\/strong>,
\nMusical Illustrations of Bishop Percy’s Reliques of Ancient English Poetry <\/a>(1850)<\/p>\n

Robert Pearsall<\/strong>, in 10 parts, sung by the Bach Choir (1892)
\nThe Musical Times<\/a><\/em>, 1905<\/p>\n

G.J. Bennet<\/strong>, edited and arranged for 8 voices (1876)<\/p>\n

W.A. Barratt<\/strong>, a Ballad for Baritone Solo, Chorus, and Orchestra’ (1907)<\/p>\n

Thea Musgrave<\/strong>, for tenor and guitar (traditional) (1961)<\/p>\n

Buffy Sainte-Marie<\/strong> on Life Wheel Spin and Spin<\/em> (1966) PLAY<\/a><\/p>\n

Nic Jones<\/strong> on Ballads and Songs<\/em> (1970) PLAY<\/a><\/p>\n

Fairport Convention’s<\/strong> folk rock version on Full House<\/em> (1971) PLAY<\/a><\/p>\n

Michael Cooney<\/strong> on Still Cooney After All These Years<\/em> (1979)<\/p>\n

Geoff Kauffman<\/strong> on Fair Stood the Wind<\/em> (1987) PLAY<\/a><\/p>\n

Jackie Leven<\/strong> on Fairytales for Hardmen (1997) PREVIEW<\/a><\/p>\n

Martin Carthy<\/strong> on Signs of Life (1998) PREVIEW<\/a><\/p>\n

Rick Fielding<\/strong> on This One’s the Dreamer<\/em> (1999)<\/p>\n

June Tabor<\/strong> on An Echo of Hooves<\/em> (2003) PLAY<\/a><\/p>\n

John Langstaff and Martin Best<\/strong> on Nottamun Town: British and American Folksongs and Ballads<\/em>(2003) PREVIEW<\/a><\/p>\n

Robin Williamson<\/strong> on The Iron Stone<\/em> (2006) PREVIEW<\/a><\/p>\n

Gordon Bok<\/strong> on In Concert<\/em> (2006) PREVIEW<\/a><\/p>\n

Kris Drever<\/strong> on Black Water<\/em> (2006) PREVIEW<\/a><\/p>\n

John Roberts<\/strong> on Sea Fever<\/em> (2007) PREVIEW<\/a><\/p>\n

ARTISTIC RENDITIONS<\/strong><\/h4>\n

\"Anne<\/a><\/p>\n

‘Now, Ever Awake My Master Dear, I Fear a Deadly Storm’, Anne Ryan 1947. Indianapolis Museum of Art. VIEW<\/a><\/p>\n

\"\"<\/a><\/p>\n

James Archer, ‘The Legend of Sir Patrick Spens’, Auckland Art Gallery<\/p>\n

\"\"<\/a><\/p>\n

Elizabeth Eleanor Siddal, ‘The Ladies’ Lament from the Ballad of Sir Patrick Spens’, 1856.<\/p>\n<\/div>\n

\n

Selected prose and poetry that demonstrate the ballad’s variety of influence on both British and American writers beginning with the works of Samuel Taylor Coleridge and the Romantics and continuing through to the twenty-first century. See our Spens Library<\/a> for an extended listing.<\/p>\n

[weaver_show_posts cats=”afterlife” show=”title” number=”30″ show=”excerpt”]<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

http:\/\/www.youtube.com\/watch?v=bGVqMK_wZtA Fairport Convention’s folk rock version (Maidstone, 1970) MUSICAL RENDITIONS Edward Francis Rimbault, Musical Illustrations of Bishop Percy’s Reliques of Ancient English Poetry (1850) Robert Pearsall, in 10 parts, sung by the Bach Choir (1892) The Musical Times, 1905 G.J. Bennet, edited and arranged for 8 voices (1876) W.A. Barratt, a Ballad for Baritone Solo, […]<\/p>\n","protected":false},"author":62,"featured_media":0,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"onecolumn-page.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-13","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.williams.edu\/sirpatrickspens\/wp-json\/wp\/v2\/pages\/13","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.williams.edu\/sirpatrickspens\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.williams.edu\/sirpatrickspens\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/sirpatrickspens\/wp-json\/wp\/v2\/users\/62"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/sirpatrickspens\/wp-json\/wp\/v2\/comments?post=13"}],"version-history":[{"count":76,"href":"https:\/\/sites.williams.edu\/sirpatrickspens\/wp-json\/wp\/v2\/pages\/13\/revisions"}],"predecessor-version":[{"id":119,"href":"https:\/\/sites.williams.edu\/sirpatrickspens\/wp-json\/wp\/v2\/pages\/13\/revisions\/119"}],"wp:attachment":[{"href":"https:\/\/sites.williams.edu\/sirpatrickspens\/wp-json\/wp\/v2\/media?parent=13"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}