{"id":420,"date":"2012-02-27T13:24:22","date_gmt":"2012-02-27T13:24:22","guid":{"rendered":"http:\/\/sites.williams.edu\/sealitsearchable\/?p=420"},"modified":"2022-06-25T14:55:45","modified_gmt":"2022-06-25T14:55:45","slug":"halyard-harry","status":"publish","type":"post","link":"https:\/\/sites.williams.edu\/searchablesealit\/h\/halyard-harry\/","title":{"rendered":"Halyard, Harry"},"content":{"rendered":"<p><em>by Joseph Flibbert<\/em><\/p>\n<p>&#8220;HALYARD, HARRY&#8221; (dates unknown). &#8220;Harry Halyard&#8221; is the pseudonym of the unknown author of twelve novels published in the mid-nineteenth century. Five of them were intended to exploit public interest in the Mexican War: <em>The Chieftain of Churubusco<\/em> (1848), <em>The Heroine of Tampico<\/em> (1847), <em>The Mexican Spy<\/em> (1848), <em>The Ocean Monarch <\/em>(1848), and <em>The Warrior Queen <\/em>(1848). Others have a vague association with sensational historical events such as the Salem witch trials of 1692 (<em>The Haunted Bride<\/em> [1848]), the American Revolution (<em>The Rover of the Reef<\/em> [1848]), or the French Revolution (<em>The Heroine of Paris<\/em> [1848]).<\/p>\n<p>All are exactly 100 pages long and reflect the emphasis on glib dialogue and fast-paced action characteristic of the emerging &#8220;dime novel&#8221; tradition. They were published by F[rederick] Gleason, whose stable of hack authors during this period included Maturin M. Ballou, Benjamin Barker, and &#8220;Ned Buntline,&#8221; pseudonym of Edward Zane Carroll Judson. Any or all of these authors may have ghostwritten the &#8220;Harry Halyard&#8221; series, although the emphasis upon women as the works&#8217; heroes may suggest a woman author. The novel <em>The Bandit of the Ocean;<\/em> or <em>The Female Privateer, a Romance of the Sea<\/em> (1855) uses Halyard as the pseudonym and includes Barker&#8217;s name on the cover as the presumed author. As the &#8220;Halyard&#8221; tag and some of the tides suggest, all of the books are principally or partly set on the sea. The other four Halyard titles are <em>The Doom of the Dolphin<\/em> (1848);<em> Geraldine <\/em>(1848); <em>The Peruvian Nun <\/em>(1848); and <em>Wharton the Whale-Killer!<\/em> (1848), presumably a source that Herman Melville used for <em>Moby-Dick<\/em> (1851).<\/p>\n<p style=\"padding-left: 80px\"><em>The Warrior Queen&nbsp;<\/em>(1848)<\/p>\n<p style=\"padding-left: 160px\"><a href=\"https:\/\/www.google.com\/books\/edition\/The_Warrior_Queen\/yNMVAQAAMAAJ?hl=en&amp;gbpv=0\">Google Books<\/a><br \/>\n<a href=\"https:\/\/babel.hathitrust.org\/cgi\/pt?id=wu.89099759177&amp;view=1up&amp;seq=5&amp;skin=2021\">HathiTrust<\/a><\/p>\n<p style=\"padding-left: 80px\"><em>The Heroine of Paris&nbsp;<\/em>(1848)<\/p>\n<p style=\"padding-left: 160px\"><a href=\"https:\/\/www.google.com\/books\/edition\/The_Heroine_of_Paris_Or_The_Novice_of_No\/oNMVAQAAMAAJ?hl=en&amp;gbpv=0\">Google Books<\/a><br \/>\n<a href=\"https:\/\/babel.hathitrust.org\/cgi\/pt?id=wu.89099759151&amp;view=1up&amp;seq=5&amp;skin=2021\">HathiTrust<\/a><\/p>\n<p style=\"padding-left: 80px\"><em>The Heroine of Tampico<\/em>&nbsp;(1847)<\/p>\n<p style=\"padding-left: 160px\"><a href=\"https:\/\/www.google.com\/books\/edition\/The_Heroine_of_Tampico\/fpHgBQ_ByxUC?hl=en&amp;gbpv=0\">Google Books<\/a><br \/>\n<a href=\"https:\/\/babel.hathitrust.org\/cgi\/pt?id=hvd.32044014514178&amp;view=1up&amp;seq=3&amp;skin=2021\">HathiTrust<\/a><\/p>\n<p>keywords: pseudonym<\/p>\n","protected":false},"excerpt":{"rendered":"<p>by Joseph Flibbert &#8220;HALYARD, HARRY&#8221; (dates unknown). &#8220;Harry Halyard&#8221; is the pseudonym of the unknown author of twelve novels published in the mid-nineteenth century. Five of them were intended to exploit public interest in the Mexican War: The Chieftain of <a class=\"more-link\" href=\"https:\/\/sites.williams.edu\/searchablesealit\/h\/halyard-harry\/\">Continue reading <span class=\"meta-nav\">&amp;<\/span> text links<\/a><\/p>\n","protected":false},"author":498,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[25921],"tags":[53755,53761,53801],"class_list":["post-420","post","type-post","status-publish","format-standard","hentry","category-h","tag-19th-century","tag-fiction","tag-war"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.williams.edu\/searchablesealit\/wp-json\/wp\/v2\/posts\/420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.williams.edu\/searchablesealit\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.williams.edu\/searchablesealit\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/searchablesealit\/wp-json\/wp\/v2\/users\/498"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/searchablesealit\/wp-json\/wp\/v2\/comments?post=420"}],"version-history":[{"count":8,"href":"https:\/\/sites.williams.edu\/searchablesealit\/wp-json\/wp\/v2\/posts\/420\/revisions"}],"predecessor-version":[{"id":6394,"href":"https:\/\/sites.williams.edu\/searchablesealit\/wp-json\/wp\/v2\/posts\/420\/revisions\/6394"}],"wp:attachment":[{"href":"https:\/\/sites.williams.edu\/searchablesealit\/wp-json\/wp\/v2\/media?parent=420"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.williams.edu\/searchablesealit\/wp-json\/wp\/v2\/categories?post=420"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.williams.edu\/searchablesealit\/wp-json\/wp\/v2\/tags?post=420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}