Modernity’s Basis

I don’t think Tabaar’s text equips us to make generalized claims about modernity’s basis as a phenomenon broadly, especially because it’s so difficult to speak in terms of necessary/ sufficient preconditions. In the case of Iran, though, I think one of the answers to the question of “on what basis” that Tabaar implies is that there is always a negotiation between these two sources of modern truth (which echoes the needs of each of the competing promises of modernity), to borrow the phrasing of the question. His book clearly presents the idea that the divine/ governmental aspect, the imposed modernity, was essential for actually enacting reforms, making decisions, and for shaping the will of the people (for which Islam and religious arguments were used), but was imbued with power through its claim to legitimacy, which was affirmed through the assent of the people.

This dynamic surfaces in his discussion of Khomeini’s influence being derived from the support of the people as well as the way Khomeini later draws upon this to remind the people of their role in giving him power. In responding to his critics and attempting to delegitimize their critiques– particularly clerics– following the issuing of the fatwa against Rushdie, for example, he emphasized that they used to support the separation of politics and religion (a model opposite that which Khomeini advocated and the people had supported), and that he had made the “‘slogan of overthrowing the Shah’ a reality”– he had realized the vision of the future supported by the people (195). By arguing that “the imperialists were using these pseudo-religious-nationalist figures to sow doubt in the society,” he is reaffirming his position as the legitimate voice, reminding the people that they, though possibly now doubting their initial position, had once fully supported it and brought it into being– it was theirs, not just Khomeini’s (ibid). By taking the modern position of the representative of the people’s will, he is also invoking ‘modern’ notions of legitimate power being rooted in the consent of the governed.

Shariati and Seligman

At its simplest, modernity’s wager is that religion can be replaced with rationality and reason. Seligman says the wager has been lost: this transition cannot be made. His proposed solution is to return to a kind of unquestioned religious belief, but a religion characterized by tolerance.

Shariati, while not articulating the same rationale, presents a similar conclusion. Following in the legacy of Al e Ahmad, who mourned what he saw as Iran’s self-loathing love of the West, Shariati called for “a return to an authentic Islam as an answer to modern problems” (Secor, 13). This solution built upon Al e Ahmad’s ideas by claiming that liberal, ‘modern’ ideas of the West were authentically Islamic— because these ideas did not belong to the West, but were born of Islam. Shariati advocated for a “limited freedom,” where the “liberated” Iran could “subordinate their will to the will of God.” In this way, Shariati’s claim seems to replicate at least part of Seligman’s: humans are liberated, but with (and even through) constraints placed upon them by a higher authority.

I think there is, however, a marked difference between Shariati and Seligman. Shariati argues against a need for clerics, taking the stance that there was no need for mediation between God and man. His claim that Islam was “open to multiple, competing orientations” seems at first take to mirror the ‘tolerance’ prescribed by Seligman. More deeply, though, this undercuts the main basis of Seligman’s proposition– that what is needed is unquestioned belief in a set of basic tenets— as Shariati’s solution still places man as the ultimate arbiter of right/ wrong, as each person can interpret the will of God in their own way. For Shariati, then, the problem is one of authenticity; his utilization of Islam allows for modernity to be ‘claimed’ as Iranian. Shariati’s wager, it seems, would be that without this claim to authenticity, ‘modernity’ would destroy Iran, leading to a similar consequence as that posed by Seligman— the people would be left ‘placeless’ and would become inheritors of an anomic condition.

The Veiled Modern

I made a similar connection to Will when I read Najmabadi, thinking of the creation of the gender binary of having similarities to the ideals presented in Scott’s work. Creating the binary made the world (specifically people’s bodies) more easily legible, as the possibilities of what/ who they could be, at least “proper” possibilities, were much more limited and less ambiguous. When Scott talks about the abstraction and simplification of maps, he presents it as something that both labels what is already there (responds to the present conditions) and influences what it becomes, as the way the area is regarded changes after its simplification of the map, and this influences the people living there and the way others interact with it. Similarly, the changing understanding of gender and homoerotic attraction affected both the way people perceived gender in Iran and the way gender was acted out. The issue of women’s veiling. There is so much ambiguity surrounding the topic, as the physical covering of the veil also renders its wearer more visible. While the veil is sometimes viewed as a mark of un-modernized views on women’s roles and positions in society, it could also sometimes be viewed as making the female body ‘acceptable’ to appear in a wider social, public contexts.

Najmabadi’s account of gender in premodern Islamic Iran helps to show that beliefs binary sexuality/ gender labels were not deeply ingrained in sensibilities that are either essentially Islamic or Iranian, and that the current status of women could not be a natural outworking or such beliefs. Rather they are extremely historically and situationally contingent, as these beliefs emerged after contact with the ‘modern,’ more ‘advanced’ Europeans.

 

“The Cow” and the Modern

When I first watched The Cow I was deeply confused. I could understand the film as a commentary on human nature (dependence, desperation, mental health, relationships, and the eventual loss of humanity), but I had trouble seeing any connection to modernity, except with the very surface-level read that these events were primarily taking place in a village that did not appear to be “modernized” and lacked stability in the form of external structures, such as governing bodies, law and order, or access to local healthcare. Professor Malekzadeh pointed out the importance of positionality in the film, both of the characters and the viewer in Tehran. This made it a bit easier to see a connection to modernity, as the viewers in Tehran would not see the Iran presented by the film as part of an Iran that was familiar to them; it would be a distant representation, like a relic from the past.

One element that I think relates to our course material is the role of superstition in the film. While religious belief itself is not necessarily counter to modernity, the dependence on rational thought in ‘modern’ life does involve a push away from superstition and superstitious behavior. In the film, for example, one of the villagers blames an ‘evil eye’ after the death of the cow. Another tells him to be quiet. I think this could be read as an expression of modern thought competing with pre-modern thought, as while the person expressing the latter seems comfortable with the ‘evil eye’ as a causal explanation, the person rebuking them is looking for a cause more easily understandable or rational. This is also expressed when the villagers agree they should take Hassan to the city, the representation of the modern, in order to be healed, as they are relying on some possible medical intervention to provide an explanation and solution to his belief that he is a cow.

Modernity’s source?

I think modernity is based on the collective in the sense that groups of people do not and cannot decide as individuals to enter modernity- this is inconceivable, as modernity is a state and way of viewing the world, removed from the realm of individuals’ decisions. In a broader sense, though, it is not rooted in the collective (a group of individuals) in any meaningful way. It is neither the group nor the individual who brings modernity from nothing or provides its source. I do not think modernity requires any set of ‘fixed truths’ of a sacred authority, as the argument that such truths do not even exist is itself a modern idea. Perhaps the individual reaching for their own truth, finding the things they value and want to live by, is a very modern practice, but it is not modernity’s source. No one can opt-in to modernity, and no one can simply choose to opt-out. In fact, to even try and do so would be a very modern choice indeed, as the individual would be viewing themselves as able to view and interact with the world in a way very distinct from those around them.

Rather, it is a gradual shift (happening little by little– there is not a single moment of mental shift in which a person suddenly becomes modern) based on changing group experiences giving birth to new conceptions of self in relation to the world; it a self-perpetuating reality unto itself. While an entrance to modernity can be especially marked by, or apparent in, certain events, it cannot be directly tied to a very specific date or year as Lerner tries to do by saying ‘they had entered History” in the summer of 1950.

Entering Modernity

In my understanding, the use of the term ‘modernity’ necessarily suggests an other, as it emerged as label to mark what was viewed as a distinct break from the past in the late 1800s, characterized in part by increasing industrialization and urbanization and the worldview that this sparked, one of greater individualism and a heightened sense of humanity’s ability to control their environment. The term differentiated this qualitatively new kind of existence from the ‘traditional’ way of life and conception of the world that had been commonplace till that point. My first read of what we’re pursuing, then, is that the idea of modernity can suggest a unidirectional path towards ‘progress,’ as it implies that the one fairly specific conception of the world is the only one that is truly modern, or more fully developed.

These differing mentalities are exemplified in descriptions of the Grocer and of the Chief. When Tosun asks the Chief what topics villagers ask his advice on, he replies that they speak with him “about all that I or you could imagine,” and describes this as being anything from handling their wife to curing their sick cow. Lerner describes these two examples as illustrating the traditional, saying they are “the species that the villager has most to do with in his daily round of life.” The Grocer’s field of knowledge, by contrast, reaches beyond this non-modern village life, and his desires for life outside the village are seen as breaks with the “old code.” Lerner implies that the Grocer had been farther along a path towards modernity that the Chief and the village later followed by wondering if the Chief had learned anything from the Grocer, and saying that the Grocer was a man whose “psychic antennae were endlessly seeking the new future here and now,” whereas the Chief merely adapted to it as it came.