{"id":730,"date":"2015-07-27T14:10:54","date_gmt":"2015-07-27T18:10:54","guid":{"rendered":"http:\/\/sites.williams.edu\/obrechtmass\/?page_id=730"},"modified":"2018-07-25T14:43:52","modified_gmt":"2018-07-25T18:43:52","slug":"alleluia","status":"publish","type":"page","link":"https:\/\/sites.williams.edu\/obrechtmass\/score\/alleluia\/","title":{"rendered":"Examine the Score: Alleluia"},"content":{"rendered":"<div id=\"alleluia\" class=\"mass-mvt mass-mvt-landing-first\">\n<div id=\"scorepagetext\">\n<h5>Alleluia: Juravit Dominus<\/h5>\n<p>&#8220;Alleluia&#8221; is the Latinized form of the Hebrew word <em>hallelujah<\/em>, meaning &#8220;praise God.&#8221; As the most joyful of the <a href=\"http:\/\/sites.williams.edu\/obrechtmass\/glossary\/\">Proper<\/a> chants for the Mass, its use is forbidden during penitential seasons, when it is replaced by a second Gradual or a Tract; during the most joyful period after Easter, a second Alleluia replaced the Gradual! For most feast days, however, the Alleluia followed immediately after the Gradual, as it did on the feast of <a href=\"http:\/\/sites.williams.edu\/obrechtmass\/era\/stdonatian\">St. Donatian<\/a>.<\/p>\n<p>The assignment of particular Alleluias to particular feasts varied widely in the Middle Ages. In the liturgical rite of Bruges in Obrecht&#8217;s day, the Alleluia sung on feasts of Confessor Bishops such as St. Donatian was <em>Juravit Dominus<\/em>. This text is drawn from Psalm 109:4, and continues the praise of a great priest begun in the <a href=\"http:\/\/sites.williams.edu\/obrechtmass\/score\/epistle\/\">Epistle<\/a> and confirmed in the <a href=\"http:\/\/sites.williams.edu\/obrechtmass\/score\/gradual\/\">Gradual<\/a>.<\/p>\n<p>Alleluias tend to be the most extravagant <a href=\"http:\/\/sites.williams.edu\/obrechtmass\/glossary\">plainsongs<\/a> heard in the Mass, displaying the widest range and most lavish melismas. Their most distinctive musical feature is the <em>jubilus<\/em>, the melismatic extension at the conclusion of the first word, &#8220;Alleluia,&#8221; which generally returns at the conclusion of the verse. Like the Gradual, the Alleluia is usually a responsorial chant: a soloist would begin the &#8220;Alleluia&#8221; and deliver the verse as well. <a href=\"http:\/\/sites.williams.edu\/obrechtmass\/era\/cappella\">Cappella Pratensis<\/a> here opens with a soloist, but then allows the choir to sing the verse and so preserve the choral identity of the long jubilus with which they entered during the &#8220;Alleluia&#8221;.<\/p>\n<p>Alleluia <em>Juravit Dominus<\/em> is in Mode 1, the Dorian mode; its compass is fairly restrained for an Alleluia, ranging over only one octave, c to c&#8217;.<\/p>\n<p><em>To learn more about Alleluia chants, see:<\/em><br \/>\n<span class=\"bibitem\">McKinnon, James W., and Christian Thodberg. 2001\u00a0&#8220;Alleluia.&#8221; <em>Grove Music Online.<\/em> 17 Jul. 2018. <a href=\"http:\/\/\/\/www.oxfordmusiconline.com\/grovemusic\/view\/10.1093\/gmo\/9781561592630.001.0001\/omo-9781561592630-e-0000040711\">www.grovemusiconline.com<\/a> <\/span><br \/>\n<span class=\"bibitem\">Hiley, David. <em>Western Plainchant: a Handbook<\/em>. Oxford: Oxford University Press, 1993. See in particular pp. 130-39.<\/span><\/p>\n<\/div>\n<p><a class=\"manuscript-link thickbox\" href=\"https:\/\/sites.williams.edu\/obrechtmass\/score\/alleluia\/manuscript\/?TB_iframe=true&amp;width=750\">View the original manuscript<\/a><\/p>\n<div class=\"scoreText\"><img decoding=\"async\" src=\"https:\/\/sites.williams.edu\/obrechtmass\/files\/2015\/07\/playbutton.gif\" align=\"left\" \/><a href=\"http:\/\/sites.williams.edu\/obrechtmass\/score\/alleluia\/main\/\">View the score of the Alleluia<\/a><br \/>\n<img decoding=\"async\" src=\"https:\/\/sites.williams.edu\/obrechtmass\/files\/2015\/07\/playbutton.gif\" align=\"left\" \/><a class=\"pop-up-player\" href=\"#\" data-id=\"281674281\">View the film of the Alleluia<\/a><br \/>\n<img decoding=\"async\" src=\"https:\/\/sites.williams.edu\/obrechtmass\/files\/2015\/07\/playbutton.gif\" align=\"left\" \/><a href=\"http:\/\/sites.williams.edu\/obrechtmass\/score\/gospel\/\">Continue to the Gospel<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Alleluia: Juravit Dominus &#8220;Alleluia&#8221; is the Latinized form of the Hebrew word hallelujah, meaning &#8220;praise God.&#8221; As the most joyful of the Proper chants for the Mass, its use is forbidden during penitential seasons, when it is replaced by a <span class=\"excerpt-dots\">&hellip;<\/span> <a class=\"more-link\" href=\"https:\/\/sites.williams.edu\/obrechtmass\/score\/alleluia\/\"><span class=\"more-msg\">Continue reading &rarr;<\/span><\/a><\/p>\n","protected":false},"author":1109,"featured_media":0,"parent":56,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-730","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/pages\/730","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/users\/1109"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/comments?post=730"}],"version-history":[{"count":21,"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/pages\/730\/revisions"}],"predecessor-version":[{"id":2654,"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/pages\/730\/revisions\/2654"}],"up":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/pages\/56"}],"wp:attachment":[{"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/media?parent=730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}