{"id":1945,"date":"2016-07-25T15:49:44","date_gmt":"2016-07-25T19:49:44","guid":{"rendered":"http:\/\/sites.williams.edu\/obrechtmass\/?page_id=1945"},"modified":"2018-08-01T09:15:17","modified_gmt":"2018-08-01T13:15:17","slug":"osannaii","status":"publish","type":"page","link":"https:\/\/sites.williams.edu\/obrechtmass\/score\/osannaii\/","title":{"rendered":"Examine the Score: Osanna II"},"content":{"rendered":"
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Osanna II<\/h5>\n

The text of the entire Sanctus is completed by the repetition of the phrase \u201cOsanna in excelsis.\u201d Composers occasionally composed new music for this textual repetition, but most, like Obrecht in this Mass, simply provide the rubric \u201cOsanna ut supra\u201d after the Benedictus, which means that the singers were to repeat Osanna I. The effect, in this case, is both to prolong the solemnity of this high point in the Eucharistic celebration and to offer up again the prayer for St. Donatian’s intercession.<\/p>\n

Obrecht’s Osanna is sung by Cappella Pratensis<\/a> from the original notation as preserved in the choirbook Jena, Universitatsbibliothek, Ms 32<\/a>.<\/p>\n

For more information, see:<\/em>
\nCrocker, Richard L., and David Hiley. 2001\u00a0“Sanctus.” Grove Music Online.<\/em> 30 Jul. 2018. \u00a0www.oxfordmusiconline.com<\/a>. <\/span>
\nHiley, David. Western Plainchant: A Handbook<\/em>. Oxford: Oxford University Press, 1993. See in particular pp. 161-65.<\/span>
\nStrohm, Reinhard. Music in Late Medieval Bruges<\/em>. New York: Oxford University Press. 1985. See in particular pp. 146-48.<\/span>
\nWegman, Rob C. Born for the Muses: The Life and Masses of Jacob Obrecht<\/em>. New York: Oxford University Press, 1994. See in particular pp. 169-74.<\/span><\/p>\n<\/div>\n

View the score of the Osanna II<\/a>
\nView the film of the Osanna II<\/a>
\nContinue to the Communion<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Osanna II The text of the entire Sanctus is completed by the repetition of the phrase \u201cOsanna in excelsis.\u201d Composers occasionally composed new music for this textual repetition, but most, like Obrecht in this Mass, simply provide the rubric \u201cOsanna …<\/span> Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1295,"featured_media":0,"parent":56,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1945","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/pages\/1945","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/users\/1295"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/comments?post=1945"}],"version-history":[{"count":10,"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/pages\/1945\/revisions"}],"predecessor-version":[{"id":2718,"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/pages\/1945\/revisions\/2718"}],"up":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/pages\/56"}],"wp:attachment":[{"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/media?parent=1945"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}