{"id":1792,"date":"2016-07-20T13:01:15","date_gmt":"2016-07-20T17:01:15","guid":{"rendered":"http:\/\/sites.williams.edu\/obrechtmass\/?page_id=1792"},"modified":"2018-08-01T09:01:12","modified_gmt":"2018-08-01T13:01:12","slug":"kyrieii","status":"publish","type":"page","link":"https:\/\/sites.williams.edu\/obrechtmass\/score\/kyrieii\/","title":{"rendered":"Examine the Score: Kyrie II"},"content":{"rendered":"
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Kyrie II<\/h5>\n

As in the first Kyrie, Obrecht here includes the complete suffrage antiphon<\/a> O beate pater Donatiane<\/a> as the tenor cantus firmus<\/em><\/a>, now restored to its original pitch level. At the same time, however, he weaves in a second pre-existent text and melody, the Dutch song Gefft den armen gefangen umb got<\/a>, Which requests alms for poor prisoners and thus recalls the charitable projects of Donaes do Moor, especially his donation to the donckercamer<\/em>, or debtor\u2019s prison, specified in his will. This brief Dutch song is heard twice in the alto voice, and then migrates to the bass voice to conclude the Kyrie.<\/p>\n

Obrecht’s Kyrie II is sung by Cappella Pratensis<\/a> from the original notation as preserved in the choirbook Jena, Universitatsbibliothek, Ms 32<\/a>.<\/p>\n

For more information, see:<\/em>
\nHiley, David. Western Plainchant: a Handbook<\/em>. Oxford: Oxford University Press. 1993. See in particular pp. 150-56, 211-13. <\/span>
\nCrocker, Richard L. “Kyrie eleison.” Grove Music Online.<\/em> 10 Jul. 2018.\u00a0www.grovemusiconline.com<\/a><\/span>
\nStrohm, Reinhard. Music in Late Medieval Bruges<\/em>. Oxford: Clarendon Press. 1985. See in particular pp.38-42.<\/span>
\nWegman, Rob C. Born for the Muses: The Life and Masses of Jacob Obrecht<\/em>. Oxford: Oxford University Press, 1994. See in particular pp.169-74.<\/span><\/p>\n<\/div>\n

View the score of Kyrie II<\/a>
\nView the film of the Kyrie II<\/a>
\nContinue to the Collect<\/a><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Kyrie II As in the first Kyrie, Obrecht here includes the complete suffrage antiphon O beate pater Donatiane as the tenor cantus firmus, now restored to its original pitch level. At the same time, however, he weaves in a second …<\/span> Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1295,"featured_media":0,"parent":56,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1792","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/pages\/1792","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/users\/1295"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/comments?post=1792"}],"version-history":[{"count":13,"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/pages\/1792\/revisions"}],"predecessor-version":[{"id":2711,"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/pages\/1792\/revisions\/2711"}],"up":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/pages\/56"}],"wp:attachment":[{"href":"https:\/\/sites.williams.edu\/obrechtmass\/wp-json\/wp\/v2\/media?parent=1792"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}