{"id":2,"date":"2013-09-16T19:20:52","date_gmt":"2013-09-16T19:20:52","guid":{"rendered":"http:\/\/sites.williams.edu\/hist140\/?page_id=2"},"modified":"2016-07-21T13:11:34","modified_gmt":"2016-07-21T17:11:34","slug":"sample-page","status":"publish","type":"page","link":"https:\/\/sites.williams.edu\/hist140\/sample-page\/","title":{"rendered":"Images"},"content":{"rendered":"

<\/a><\/p>\n

Class No. 2: Historical Understanding, Visual Sources, and Imperial Images<\/a>
\nClass No. 4:\u00a0 Empire, Nation, and Nationalism<\/a>
\nClass No. 6:\u00a0 The Peasantry:\u00a0 Isolation and Stagnation or Adaptation and Integration?<\/a>
\nClass No. 8:\u00a0 Religion, Modernization, and Identity<\/a>
\nClass No. 9:\u00a0 Refashioning Urban Russia<\/a>
\nClass No. 13:\u00a0 The Bronze Horseman<\/a>
\nClass No. 14:\u00a0 Avant Garde Reactions to 1905:\u00a0 Modernism<\/a><\/address>\n

<\/a><\/p>\n

\n

Class No. 2: Historical Understanding, Visual Sources, and Imperial Images<\/strong><\/h4>\n
\n

 <\/p>\n

From <\/em>The Romanov Family Album (photographs of the empress and her daughters):<\/em><\/p>\n

\"1.<\/a>

1. The Charity Bazaar: Prepared Room<\/p><\/div>\n

\"2.<\/a>

2. The Charity Bazaar: Empress Alexandra Selling Wares<\/p><\/div>\n

\"3.<\/a>

3. The Charity Bazaar: Crowded Room<\/p><\/div>\n

\"4.<\/a>

4. Empress Alexandra and Her Daughters Serving as Nurses in World War I<\/p><\/div>\n

 <\/p>\n

Images from <\/em>Nicholas and Alexandra:<\/p>\n

\"1.<\/a>

1. The Coronation of Nicholas II<\/p><\/div>\n

\"2.<\/a>

2. Emperor Nicholas II Presenting Regimental Colors to an Infantry Regiment<\/p><\/div>\n

\"3.<\/a>

3. Court Dress of Empress Alexandra<\/p><\/div>\n

\"4.<\/a>

4. Commander-in-Chief Uniform of Grand Duchess Olga<\/p><\/div>\n

\"5.<\/a>

5. Nobles’ Ball in St. Petersburg<\/p><\/div>\n

\"6.<\/a>

6. Emperor Nicholas II’s Speech Opening the First Duma<\/p><\/div>\n

\"7.<\/a>

7. Military Banner (1)<\/p><\/div>\n

\"7.<\/a>

7. Military Banner (2)<\/p><\/div>\n

\"7.<\/a>

7. Military Banner (3)<\/p><\/div>\n

\"7.<\/a>

7. Military Banner (4)<\/p><\/div>\n

\"7.<\/a>

7. Military Banner (5)<\/p><\/div>\n

\"7.<\/a>

7. Military Banner (6)<\/p><\/div>\n

\"8.<\/a>

8. Nicholas, Alexandra, and Others Dressed in Costumes For a Ball, 1903 (1)<\/p><\/div>\n

\"8.<\/a>

8. Nicholas, Alexandra, and Others Dressed in Costumes For a Ball, 1903 (2)<\/p><\/div>\n

\"8.<\/a>

8. Nicholas, Alexandra, and Others Dressed in Costumes For a Ball, 1903 (3)<\/p><\/div>\n

\"8.<\/a>

8. Nicholas, Alexandra, and Others Dressed in Costumes For a Ball, 1903 (4)<\/p><\/div>\n

\"8.<\/a>

8. Nicholas, Alexandra, and Others Dressed in Costumes For a Ball, 1903 (5)<\/p><\/div>\n

\"8.<\/a>

8. Nicholas, Alexandra, and Others Dressed in Costumes For a Ball, 1903 (6)<\/p><\/div>\n

\"9.<\/a>

9. Emperor Nicholas II, Empress Alexandra, and Their Children<\/p><\/div>\n

 <\/p>\n

Faberge Egg:<\/em><\/p>\n

\"The<\/a>

The Imperial Tercentenary Egg (1)<\/p><\/div>\n

\"The<\/a>

The Imperial Tercentenary Egg (2)<\/p><\/div>\n

Back to top<\/a><\/p>\n

<\/a><\/p>\n

\n

Class No. 4: Empire, Nation, and Nationalism<\/strong><\/h4>\n
\n

Maps<\/em><\/p>\n

\"MAP1\"<\/a><\/p>\n

\"MAP2\"<\/a><\/p>\n

\"MAP3\"<\/a><\/p>\n

\"MAP4\"<\/a><\/p>\n

Paintings from <\/em>The Russian Museum:<\/p>\n

\"1.<\/a>

1. Vasily Surikov, “Yermak’s Conquest of Siberia,” 1895<\/p><\/div>\n

\"2.<\/a>

2. Ilya Repin, “The Zaporozhian Cossacks Writing a Mocking Letter to the Turkish Sultan,” 1880-1891<\/p><\/div>\n

\"3.<\/a>

3. Vasily Vereschagin, “Shipka-Sheinovo (Skobolev outside Shipka),” before 1890<\/p><\/div>\n

Photographs from <\/em>M. Lyons, Russia in Original Photographs, 1860-1920:<\/p>\n

\"1.<\/a>

1. Abkhazian Chieftan (Caucasus), c. 1890<\/p><\/div>\n

\"2.<\/a>

2. A Khabardin (One of the Largest Caucasian Groups)<\/p><\/div>\n

\"3.<\/a>

3. The Cathedral of St. Alexander Nevsky (Constructed 1894-1912), Saxon Square, Warsaw, poland, c. 1912<\/p><\/div>\n

\"4.<\/a>

4. Shop of a Vendor in Tiflis, Georgia (Caucasus)<\/p><\/div>\n

Photographs from <\/em>K. Fitzlyon et al., Before the Revolution:<\/p>\n

\"1.<\/a>

1. The empress Alexandra with the Emir of Bokhara at the Imperial Residence in the Crimea, 1909<\/p><\/div>\n

\"2.<\/a>

2. Buriat Soldiers of the Trans-Baikal Cossacks<\/p><\/div>\n

\"3.<\/a>

3. Kalmuck Chieftan and Bodyguard<\/p><\/div>\n

\"4.<\/a>

4. The Tiflis Branch of His Master’s Voice, c. 1914<\/p><\/div>\n

Photographs from <\/em>S. M. Prokudin-Gorskii, Photographs for the Tsar:<\/p>\n

\"1.<\/a>

1. Chinese Master Tea-Grower Lau Dzhen-dzhan (Georgia, Caucasus)<\/p><\/div>\n

\"2.<\/a>

2. Tea-Gatherers, Greek Women and Girls (Georgia, Caucasus)<\/p><\/div>\n

\"3.<\/a>

3. Weighing Room, Chakva Tea Works, Near Batumi (Georgia, Caucasus)<\/p><\/div>\n

Back to top<\/a><\/p>\n

<\/a><\/p>\n

\n

Class No. 6: The Peasantry: Isolation and Stagnation or Adaptation and Integration?<\/strong><\/h4>\n
\n

 <\/p>\n

\"1.<\/a>

1. Nikolai Bogdanov-Belsky, “Oral Reckoning,” 1895<\/p><\/div>\n

\"2.<\/a>

2. Nikolai Bogdanov-Belsky, “At the Ferry Landing,” 1915<\/p><\/div>\n

\"3.<\/a>

3. Sergei Ivanov, “Death of a Migrant Peasant,” 1889<\/p><\/div>\n

\"4.<\/a>

4. Sergei Korovin, “Meeting of the Village Community,” 1893<\/p><\/div>\n

\"5.<\/a>

5. Nikolai Orlov, “Tax-Collecting,” 1895<\/p><\/div>\n

\"6.<\/a>

6. Nikolai Pimonenko, “Haymaking,” 1907<\/p><\/div>\n

Back to top<\/a><\/p>\n

<\/a><\/p>\n

\n

Class No. 8: Religion, Modernization, and Identity<\/strong><\/h4>\n
\n

 <\/p>\n

\"1.<\/a>

1. Vasily Perov, “Village Icon Procession at Easter,” 1861<\/p><\/div>\n

\"2.<\/a>

2. Vasily Perov, “Tea Drinking in Mytishchi near Moscow,” 1862<\/p><\/div>\n

\"3.<\/a>

3. Vasily Perov, “Meal in a Monastery,” 1865-1876<\/p><\/div>\n

\"4.<\/a>

4. Mikhail Nesterov, “Spiritual Hermit,” 1888-1889<\/p><\/div>\n

\"5.<\/a>

5. Mikhail Nesterov, “The Young Bartholomew’s Vision,” 1889-1890<\/p><\/div>\n

\"6.<\/a>

6. Mikhail Nesterov, “Taking the Veil,” 1898<\/p><\/div>\n

\"7.<\/a>

7. Andrei Karelin\/Ivan Shishkin, The Nizhnii Novgorod Convent of the Exaltation of the Cross, 1870<\/p><\/div>\n

\"8.<\/a>

8. Maksim Dmitriev, View of the St. Seraphim-All-Sorrows Convent, Ponetaevka, 1890s<\/p><\/div>\n

\"9.<\/a>

9. Ilia Repin, “Icon Procession in Kursk Province,” 1880-1883<\/p><\/div>\n

\"10.<\/a>

10. Illarion Prianishnikov, “Icon Procession,” 1893<\/p><\/div>\n

\"12.<\/a>

11. Maksim Dmitriev, Annual Icon Procession with Miracle-Working Oranki Birthgiver of God Icon, Approaching the City of Nizhnii Novgorod, 1890s<\/p><\/div>\n

\"11.<\/a>

12. Maksim Dmitriev, Annual Icon Procession with Miracle-Working Oranki Birthgiver of God Icon, Arriving at the City Center, Nizhnii Novgorod, 1890s<\/p><\/div>\n

\"13.<\/a>

13. Vasily Maksimov, “The Sick Husband,” 1881<\/p><\/div>\n

\"14.<\/a>

14. Vasily Vershchagin, “Mortally Wounded,” 1873<\/p><\/div>\n

\"15.<\/a>

15. Vasily Polenov, “Moscow Courtyard,” 1902<\/p><\/div>\n

\"16.<\/a>

16. Isaak Levitan, “Evening Bells,” 1892<\/p><\/div>\n

\"17.<\/a>

17. Nikolai Ge, “The Last Supper,” 1866<\/p><\/div>\n

\"18.<\/a>

18. Ivan Kramskoi, “Christ in the Wilderness,” 1872<\/p><\/div>\n

Back to top<\/a><\/p>\n

<\/a><\/p>\n

\n

Class No. 9: Refashioning Urban Russia<\/strong><\/h4>\n
\n

Paintings from <\/em>The Itinerants and <\/em>The Russian Museum:<\/p>\n

\"1.<\/a>

1. Abram Arkhipov, “Laundresses,” 1901<\/p><\/div>\n

\"2.<\/a>

2. Klavdy Lebedev, “To See Their Son,” 1894<\/p><\/div>\n

\"3.<\/a>

3. Vladimir Makovsky, “Bank Failure,” 1881<\/p><\/div>\n

\"4.<\/a>

4. Vladimir Makovsky, “On the Boulevard,” 1886-1887<\/p><\/div>\n

\"5.<\/a>

5. Vladimir Makovsky, “A Doss-House,” 1889<\/p><\/div>\n

\"6.<\/a>

6. Vladimir Makovsky, “The Tea Party,” 1875-1897<\/p><\/div>\n

\"7.<\/a>

7. Natalia Goncharova, “Cyclist,” 1913<\/p><\/div>\n

\"8.<\/a>

8. Boris Kustodiev, “A Merchant’s Wife at Tea,” 1918<\/p><\/div>\n

Architecture from\u00a0<\/em>Russian Modernism\u00a0and Williams Brumfield,\u00a0<\/em>The Origins of Modernism in Russian Architecture:<\/p>\n

\"1.<\/a>

1. V. M. Vasnetsov and V. D. Polenov, Church of the Icon of the Savior at Abramtsevo, 1881-1882<\/p><\/div>\n

\"2.<\/a>

2. V. M. Vasnetsov, The Tretiakov Gallery, Moscow, 1902-1905<\/p><\/div>\n

\"3.<\/a>

3. Roman Meltser, Orthopedic Institute, St. Petersburg, 1902-1905<\/p><\/div>\n

\"4.<\/a>

4. V. D. Polenov, Studio “Abbatstvo” at Polenova, near Tarusa, 1904<\/p><\/div>\n

\"5.<\/a>

5. S. I. Vashkov, Church in the Village of Kliazma, Near Moscow, 1913-1916<\/p><\/div>\n

\"6.<\/a>

6. S. V. Maliutin, Pertsov House, Moscow, 1905-1907<\/p><\/div>\n

\"7.<\/a>

7. S. V. Maliutin, Pertsov House, Moscow, detail, 1905-1907<\/p><\/div>\n

\"8.<\/a>

8. V. F. Val’kot, Hotel Metropole, Detail of Facade by M. A. Vrubel’, with Sculptures by N. A. Andreev, Moscow, 1899-1906<\/p><\/div>\n

\"9.<\/a>

9. F. O. Shekhtel’, House for Z. G. Morozova, Moscow, 1893<\/p><\/div>\n

\"10.<\/a>

10. F. O. Shekhtel’, House for Z. G. Morozova, Living Room, Moscow, 1893<\/p><\/div>\n

\"11.<\/a>

11. F. O. Shekhtel’, House for A. I. Derozhinskaia, Moscow, 1901-1902<\/p><\/div>\n

\"12.<\/a>

12. F. O. Shekhtel’, House for A. I. Derozhinskaia, Moscow, interior, 1901-1902<\/p><\/div>\n

\"13.<\/a>

13. F. O. Shekhtel’, House for A. I. Derozhinskaia, Moscow, interior, 1901-1902<\/p><\/div>\n

\"14.<\/a>

14. F. O. Shekhtel’, House for Stepan Riabushinskii, Moscow, 1900-1902<\/p><\/div>\n

\"15.<\/a>

15. F. O. Shekhtel’, House for Stepan Riabushinskii, Moscow, Mosaic Detail, 1900-1902<\/p><\/div>\n

\"16.<\/a>

16. F. O. Shekhtel’, House for Stepan Riabushinskii, Moscow, side facade, 1900-1902<\/p><\/div>\n

\"17.<\/a>

17. F. O. Shekhtel’, House for Stepan Riabushinskii, Moscow, interior, 1900-1902<\/p><\/div>\n

\"18.<\/a>

18. F. O. Shekhtel’, Moscow Art Theater, Moscow, 1902<\/p><\/div>\n

\"19.<\/a>

19. F. O. Shekhtel’, A. A. Levenson Press, Moscow, 1900<\/p><\/div>\n

\"20.<\/a>

20. Aleksei Buber’, Apartment house, Fontanka Quay, St. Petersburg, 1910-1911<\/p><\/div>\n

\"21.<\/a>

21. Gavriil Baranovskii, Eliseev Building, St. Petersburg, 1902-1904<\/p><\/div>\n

Scenes of Nizhnii Novgorod:
\n<\/em><\/p>\n

Paintings from <\/em>The Itinerants:<\/p>\n

\"1.<\/a>

1. Aleksei Bogoliubov, “Scene of Nizhnii Novgorod,” 1878<\/p><\/div>\n

Photographs from <\/em>Maksim Dmitriev:<\/p>\n

\"1.<\/a>

1. D. V. Sirotkin, Mayor of Nizhnii Novgorod and Chairman of the Stock Exchange Commission, 1913-1917<\/p><\/div>\n

\"2.<\/a>

2. Merchant Mikhail Rukavishnikov<\/p><\/div>\n

\"3.<\/a>

3. Members of the Credit Committee of the Trade Fair Bank<\/p><\/div>\n

\"4.<\/a>

4. Wedding of the Merchant M. N. Blinov<\/p><\/div>\n

\"5.<\/a>

5. Women of the Charitable Society with the Provincial Governor, M. N. Shramchenko<\/p><\/div>\n

\"6.<\/a>

6. City Firemen, with the Provincial Governor, A. N. Khvostov (front row, fifth from left)<\/p><\/div>\n

\"7.<\/a>

7. Red Cross Members<\/p><\/div>\n

\"8.<\/a>

8. Main Street (Bolshaia Pokrovka), with the Theater on the Right<\/p><\/div>\n

\"9.<\/a>

9. House of Labor, Named in Honor of Mikhail and Liubov Rukavishnikov<\/p><\/div>\n

\"10.<\/a>

10. In the House of Labor<\/p><\/div>\n

\"11.<\/a>

11. State Bank Building, 1913<\/p><\/div>\n

\"12.<\/a>

12. Lower Embankment, Along the Volga River. The Trade Fair Grounds are Across the River<\/p><\/div>\n

\"13.<\/a>

13. Blinov Brothers’ Flour Mill, Village of Filippovka Semenovsk District<\/p><\/div>\n

\"14.<\/a>

14. Railroad Station and Square<\/p><\/div>\n

\"15.<\/a>

15. Bashkirov Flour Mill, Kunavino District<\/p><\/div>\n

\"16.<\/a>

16. Clerks and Workers at the Sormovo Factory, on the Day the 100th Engine was Produced<\/p><\/div>\n

\"17.<\/a>

17. Shrapnel Works, Sormovo Factory, 1915-1916<\/p><\/div>\n

\"18.<\/a>

18. Engineers and Workers at the Sormovo Factory, with Representatives from the Military, on Production of the Engine for the Cruiser Ochakov, 1901-1902<\/p><\/div>\n

\"19.<\/a>

19. Workers at the Mining Mills in Kulebaki<\/p><\/div>\n

\"20.<\/a>

20. Main Building, Nizhnii Novgorod Trade Fair<\/p><\/div>\n

\"21.<\/a>

21. Fair Stalls, Nizhnii Novgorod Trade Fair<\/p><\/div>\n

\"22.<\/a>

22. Merry-Go-Round, Samokatskaia Square, Nizhnii Novgorod Trade Fair<\/p><\/div>\n

\"23.<\/a>

23. Movie Theater, Samokatskaia Square, Nizhnii Novgorod Trade Fair<\/p><\/div>\n

\"24.<\/a>

24. Gustov Sisters, Music Hall Singers, Nizhnii Novgorod Trade Fair<\/p><\/div>\n

\"25.<\/a>

25. Machines Department\/Exhibit Hall, 1896 All-Russian Exposition, Nizhnii Novgorod<\/p><\/div>\n

\"26.<\/a>

26. Interior View, Machines Department, 1896 All-Russian Exposition, Nizhnii Novgorod<\/p><\/div>\n

\"27.<\/a>

27. First Russian Automobile, Exhibited at the 1896 All-Russian Exposition, Nizhnii Novgorod<\/p><\/div>\n

\"28.<\/a>

28. Pavilions of the Middle Asia Department and of Russian-Persian Trade, 1896 All-Russian Exposition, Nizhnii Novgorod<\/p><\/div>\n

\"29.<\/a>

29. Theater and Restaurant of T. Astaf’ev, 1896 All-Russian Exposition, Nizhnii Novgorod<\/p><\/div>\n

\"30.<\/a>

30. House for Public Entertainment and Meetings, 1896 All-Russian Exposition, Nizhnii Novgorod<\/p><\/div>\n

\"31.<\/a>

31. New Market Square<\/p><\/div>\n

\"32.<\/a>

32. Spasskii (Savior) Street and Spasskii Cathedral<\/p><\/div>\n

\"33.<\/a>

33. Junkshop in Balchug, c. 1890<\/p><\/div>\n

\"34.<\/a>

34. State Wine Shop, Before Opening, Early 1900s<\/p><\/div>\n

\"35.<\/a>

35. Annual Religious Procession, Bringing the Oranki Mother of God Icon to Nizhnii Novgorod, 1890s<\/p><\/div>\n

\"36.<\/a>

36. A Group of Priests, with the Oranki Mother of God Icon<\/p><\/div>\n

Back to top<\/a><\/p>\n

<\/a><\/p>\n

\n

Class No. 13: The Bronze Horseman<\/strong><\/h4>\n
\n

 <\/p>\n

\"1.<\/a>

1. The Bronze Horseman, St. Petersburg<\/p><\/div>\n

\"2.<\/a>

2. The Bronze Horseman and Surroundings, St. Petersburg<\/p><\/div>\n

\"3.<\/a>

3. The Bronze Horseman, St. Petersburg<\/p><\/div>\n

Back to top<\/a><\/p>\n

<\/a><\/p>\n

\n

Class No. 14: Avant Garde <\/strong>Reactions to 1905: Modernism<\/strong><\/h4>\n
\n

From: Women Artists of Russia’s New Age, 1900-1935, Amazons of the Avant-Garde: Exter, Goncharova, Popova, Rozanova, Stepanova, Udaltsova, and V. N. Lasarev, <\/em>The Moscow School of Icon-Painting:<\/p>\n

\"1.<\/a>

1. Natalia Goncharova, “Self-Portrait with Yellow Lilies,” 1907<\/p><\/div>\n

\"2.<\/a>

2. Natalia Goncharova, “Fruit Harvest,” 1909<\/p><\/div>\n

\"3.<\/a>

3. Natalia Goncharova, “Fruit Harvest,” 1909<\/p><\/div>\n

\"4.<\/a>

4. Natalia Goncharova, “Haycutting,” 1910<\/p><\/div>\n

\"5.<\/a>

5. Andrei Rublev, Archangel Michael, 1410-1420<\/p><\/div>\n

\"6.<\/a>

6. Andrei Rublev, The Apostle Paul, 1410-1420<\/p><\/div>\n

\"7.<\/a>

7. Natalia Goncharova, “The Evangelists,” 1910<\/p><\/div>\n

\"8.<\/a>

8. School of Andrei Rublev, The Nativity, 1410-1420<\/p><\/div>\n

\"9.<\/a>

9. Workshop of Dionisy, The Birth of Elevferiy-Alexey, panel, 1480-1490<\/p><\/div>\n

\"10.<\/a>

10. Natalia Goncharova, “Nativity,” 1910<\/p><\/div>\n

\"11.<\/a>

11. Workshop of Dionisy, The Descent of Christ Into Hell, 1502-1503<\/p><\/div>\n

\"12.<\/a>

12. Natalia Goncharova, “Apocalypse,” 1910<\/p><\/div>\n

\"13.<\/a>

13. Natalia Goncharova, “Peasants Gathering Grapes,” 1912<\/p><\/div>\n

\"14.<\/a>

14. Natalia Goncharova, “Yellow and Green Forest, Rayonist Construction,” 1912<\/p><\/div>\n

\"15.<\/a>

15. Natalia Goncharova, “The Weaver,” 1912-1913<\/p><\/div>\n

\"16.<\/a>

16. Natalia Goncharova, “Cyclist,” 1913<\/p><\/div>\n

\"17.<\/a>

17. Natalia Goncharova, “Emptiness,” 1913<\/p><\/div>\n

\"18.<\/a>

18. Natalia Goncharova, Designs for Le Coq d’Or, 1914<\/p><\/div>\n

Back to top<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Class No. 2: Historical Understanding, Visual Sources, and Imperial Images Class No. 4:\u00a0 Empire, Nation, and Nationalism Class No. 6:\u00a0 The Peasantry:\u00a0 Isolation and Stagnation or Adaptation and Integration? Class No. 8:\u00a0 Religion, Modernization, and Identity Class No. 9:\u00a0 Refashioning … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.williams.edu\/hist140\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.williams.edu\/hist140\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.williams.edu\/hist140\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/hist140\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/hist140\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":79,"href":"https:\/\/sites.williams.edu\/hist140\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":332,"href":"https:\/\/sites.williams.edu\/hist140\/wp-json\/wp\/v2\/pages\/2\/revisions\/332"}],"wp:attachment":[{"href":"https:\/\/sites.williams.edu\/hist140\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}