{"id":1640,"date":"2021-11-11T09:44:34","date_gmt":"2021-11-11T14:44:34","guid":{"rendered":"https:\/\/sites.williams.edu\/engl113-f18\/?page_id=1640"},"modified":"2021-12-13T15:43:27","modified_gmt":"2021-12-13T20:43:27","slug":"nina-yankovic","status":"publish","type":"page","link":"https:\/\/sites.williams.edu\/engl113-f18\/nina-yankovic\/","title":{"rendered":"The Lavender Menace Revolution and Lesbian Resistance in the Second Wave"},"content":{"rendered":"<p><b>The Lavender Menace Revolution and Lesbian Resistance in the Second Wave<\/b><\/p>\n<div id=\"attachment_2381\" style=\"width: 531px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-2381\" class=\"wp-image-2381 \" src=\"https:\/\/sites.williams.edu\/engl113-f18\/files\/2021\/12\/Screen-Shot-2021-12-12-at-10.47.20-PM-300x204.png\" alt=\"The cover art for the periodical titled &quot;Lavender Woman&quot; is pictures next to the logo from the Womens March. Both feature the profiles of three women.\" width=\"521\" height=\"359\" \/><p id=\"caption-attachment-2381\" class=\"wp-caption-text\">Cover art for the 1972 edition of Lavender Woman by Linda Shear. In the drawing, the women\u2019s faces line up in a way that is almost interlocking, which depicts unity, and the hair of the woman on the left is the longest and reaches into negative space, creating a more dynamic image. There are similarities between this cover and the iconic image from the recent women\u2019s march.<\/p><\/div>\n<p><span style=\"font-weight: 400\">This exhibit is a collection of poetry, images, and historical texts that situate lesbians as an important voice in the Second Wave Feminist Movement, despite homophobia and censorship. Several of the works were created in response to a speech by Betty Friedan in which she alienated lesbians by calling them a \u201clavender menace.\u201d By proclaiming lavender&#8211;a symbol associated with lesbians&#8211;a menace, Friedan suggested that lesbians would distract from the feminist movement. In response, radical lesbians reclaimed the label by calling themselves the Lavender Menace and protested the Second Congress to Unite Women on May 1, 1970. This group also shared the common link of lavender with a periodical titled <\/span><i><span style=\"font-weight: 400\">Lavender Woman<\/span><\/i><span style=\"font-weight: 400\">, which aimed to make space for lesbians by publishing articles and poetry centered around lesbian feminism and queer love. The works themselves in <\/span><i><span style=\"font-weight: 400\">Lavender Woman <\/span><\/i><span style=\"font-weight: 400\">are an act of rebellion. Cheryl Clark, for instance, echoes the theme of lesbian sexuality as a form of rebellion in her essay \u201cLesbianism: An Act of Resistance,\u201d published in <\/span><i><span style=\"font-weight: 400\">This Bridge Called My Back<\/span><\/i><span style=\"font-weight: 400\">. This exhibition also examines Judy Grahn\u2019s most prominent poem: \u201cA Woman Is Talking to Death,\u201d which destigmatizes and broadens perceptions of lesbian relationships.<\/span><\/p>\n<p>-Nina Yankovic<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/sites.williams.edu\/engl113-f18\/lavender-menace-and-the-history-of-lesbian-censorship\/\">Lavender Menace and the History of Lesbian Censorship<\/a><\/p>\n<p><a href=\"https:\/\/sites.williams.edu\/engl113-f18\/uncategorized\/a-woman-is-talking-to-death-and-destigmatizing-queer-relationships\/\">\u201cA Woman is Talking to Death\u201d and Destigmatizing Queer Relationships<\/a><\/p>\n<p><a href=\"https:\/\/sites.williams.edu\/engl113-f18\/yankovic\/lavender-woman-a-periodical-and-lesbianism-as-rebellion\/\">Lavender Woman\u2013A Periodical, and Lesbianism as Rebellion<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Lavender Menace Revolution and Lesbian Resistance in the Second Wave This exhibit is a collection of poetry, images, and historical texts that situate lesbians as an important voice in the Second Wave Feminist Movement, despite homophobia and censorship. Several &hellip; <a href=\"https:\/\/sites.williams.edu\/engl113-f18\/nina-yankovic\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":190,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"sidebar-page.php","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-1640","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.williams.edu\/engl113-f18\/wp-json\/wp\/v2\/pages\/1640","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.williams.edu\/engl113-f18\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.williams.edu\/engl113-f18\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/engl113-f18\/wp-json\/wp\/v2\/users\/190"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/engl113-f18\/wp-json\/wp\/v2\/comments?post=1640"}],"version-history":[{"count":10,"href":"https:\/\/sites.williams.edu\/engl113-f18\/wp-json\/wp\/v2\/pages\/1640\/revisions"}],"predecessor-version":[{"id":2598,"href":"https:\/\/sites.williams.edu\/engl113-f18\/wp-json\/wp\/v2\/pages\/1640\/revisions\/2598"}],"wp:attachment":[{"href":"https:\/\/sites.williams.edu\/engl113-f18\/wp-json\/wp\/v2\/media?parent=1640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}