{"id":408,"date":"2010-08-18T06:45:37","date_gmt":"2010-08-18T11:45:37","guid":{"rendered":"http:\/\/people.williams.edu\/cthorne\/?p=408"},"modified":"2010-08-31T08:29:47","modified_gmt":"2010-08-31T13:29:47","slug":"he-who-has-ears-3","status":"publish","type":"post","link":"https:\/\/sites.williams.edu\/cthorne\/music\/he-who-has-ears-3\/","title":{"rendered":"He Who Has Ears"},"content":{"rendered":"<p>1. Jens Lekman \u2013\u201cA Postcard to Nina\u201d<\/p>\n<p>A Scandinavian Curtis Mayfield tune, R&amp;B tremulous and open-hearted, in which the singer offers to serve as beard to a German lesbian, and a lesson in the realness of fake things.<\/p>\n<p>2. Sleigh Bells \u2013 TREATS<\/p>\n<p>Sure, it heralds the whitewashing of M.I.A.\u2019s sound, replacing her favela dubstepping and worldbeat from the Planet of Slums with pseudo-samples of songs you already have on your iPhone. Where Maya had aborigine children, Sleigh Bells are content to offprint The Pixies. They manage to take an old P-Funk cut and leave it sounding like \u201cSugar Sugar.\u201d But I like The Pixies\u2014and The Archies, too\u2014and an ecstatic whiteness is better than most.<\/p>\n<p>3. Jay-Z \u2013 THE BLUEPRINT<\/p>\n<p>\u2026because I\u2019ve been watching Season 4 of <em>The Wire<\/em>, and I miss Stringer Bell, and this helps.<\/p>\n<p>4. Cat Power \u2013 \u201cColors and the Kids\u201d<\/p>\n<p>5. Willie Nelson \u2013 NAKED WILLIE<\/p>\n<p>6. Keegan DeWitt \u2013 \u201cSay La La\u201d<\/p>\n<p>7. Modest Mouse \u2013 NO ONE\u2019S FIRST &amp; YOU\u2019RE NEXT<\/p>\n<p>8. Karen O &amp; The Kids \u2013 \u201cHidaway\u201d<\/p>\n<p>9. Beeda Weeda \u2013 \u201cBaserock Babies\u201d<\/p>\n<p>10. Hayes Carll \u2013 \u201cShe Left Me For Jesus\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1. Jens Lekman \u2013\u201cA Postcard to Nina\u201d A Scandinavian Curtis Mayfield tune, R&amp;B tremulous and open-hearted, in which the singer offers to serve as beard to a German lesbian, and a lesson in the realness of fake things. 2. Sleigh &hellip; <a href=\"https:\/\/sites.williams.edu\/cthorne\/music\/he-who-has-ears-3\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":115,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[54],"tags":[],"class_list":["post-408","post","type-post","status-publish","format-standard","hentry","category-music"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.williams.edu\/cthorne\/wp-json\/wp\/v2\/posts\/408","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.williams.edu\/cthorne\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.williams.edu\/cthorne\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/cthorne\/wp-json\/wp\/v2\/users\/115"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/cthorne\/wp-json\/wp\/v2\/comments?post=408"}],"version-history":[{"count":11,"href":"https:\/\/sites.williams.edu\/cthorne\/wp-json\/wp\/v2\/posts\/408\/revisions"}],"predecessor-version":[{"id":485,"href":"https:\/\/sites.williams.edu\/cthorne\/wp-json\/wp\/v2\/posts\/408\/revisions\/485"}],"wp:attachment":[{"href":"https:\/\/sites.williams.edu\/cthorne\/wp-json\/wp\/v2\/media?parent=408"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.williams.edu\/cthorne\/wp-json\/wp\/v2\/categories?post=408"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.williams.edu\/cthorne\/wp-json\/wp\/v2\/tags?post=408"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}