{"id":66,"date":"2019-03-07T18:11:35","date_gmt":"2019-03-07T23:11:35","guid":{"rendered":"http:\/\/sites.williams.edu\/cpp3\/?p=66"},"modified":"2019-03-07T18:11:35","modified_gmt":"2019-03-07T23:11:35","slug":"structural-analysis-3-28-days-later","status":"publish","type":"post","link":"https:\/\/sites.williams.edu\/cpp3\/uncategorized\/structural-analysis-3-28-days-later\/","title":{"rendered":"Structural Analysis #3: 28 Days Later"},"content":{"rendered":"<p style=\"text-align: center\"><b>Structural Analysis #3: 28 Days Later<\/b><\/p>\n<p style=\"text-align: center\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-68\" src=\"https:\/\/sites.williams.edu\/cpp3\/files\/2019\/03\/28-days-later-158x300.jpg\" alt=\"\" width=\"158\" height=\"300\" srcset=\"https:\/\/sites.williams.edu\/cpp3\/files\/2019\/03\/28-days-later-158x300.jpg 158w, https:\/\/sites.williams.edu\/cpp3\/files\/2019\/03\/28-days-later-538x1024.jpg 538w, https:\/\/sites.williams.edu\/cpp3\/files\/2019\/03\/28-days-later.jpg 630w\" sizes=\"auto, (max-width: 158px) 100vw, 158px\" \/><\/p>\n<p><b>Plot Sequence<\/b><\/p>\n<p><i><span style=\"font-weight: 400\">1&#8211; Primary Research Centre<\/span><\/i><span style=\"font-weight: 400\">: Movie opens in a laboratory full of chimps. Men and women with masks come in and take pictures of the chimps. A scientist comes in and warns them that the chimps are infected with \u201cRage.\u201d Despite the warning, one of the masked women releases a chimp and gets bit. She turns into a zombie. <\/span><\/p>\n<p><i><span style=\"font-weight: 400\">2&#8211; Deserted Streets<\/span><\/i><span style=\"font-weight: 400\">: A man awakens naked in a hospital bed. He walks around the hospital and around London&#8217;s streets, which are all deserted. <\/span><\/p>\n<p><i><span style=\"font-weight: 400\">3&#8211; Church Attack<\/span><\/i><span style=\"font-weight: 400\">: The man walks into a church and encounters a zombie. He is saved by two people. <\/span><\/p>\n<p><i><span style=\"font-weight: 400\">4&#8211; The Store<\/span><\/i><span style=\"font-weight: 400\">: The man and his two saviors hide away in an abandoned store. The man introduces himself as Jim and his two saviors introduce themselves as Selena and Mark. Selena explains to Jim that a virus spread across the world causing a zombie apocalypse. <\/span><\/p>\n<p><i><span style=\"font-weight: 400\">5&#8211; Jim\u2019s House<\/span><\/i><span style=\"font-weight: 400\">: The next day, they get up and walk to a house that turns out to be Jim\u2019s parent\u2019s house. Jim finds his parents dead in the house. Zombies attack them. Mark gets infected and so Selena kills him.<\/span><\/p>\n<p><i><span style=\"font-weight: 400\">6&#8211; The Apartment<\/span><\/i><span style=\"font-weight: 400\">: Mark and Selena come across an apartment building with blinking Christmas lights in a window. They decided to go to the apartment. Zombies chase after them, but a man saves them. The man invites them into his apartment and introduces himself as Frank. They also meet his daughter, Hannah. <\/span><\/p>\n<p><i><span style=\"font-weight: 400\">7&#8211; Time To Go<\/span><\/i><span style=\"font-weight: 400\">: The group of four realize that they can\u2019t stay in the apartment for much longer since they are running out of water. They listen to the radio and hear about a military base in Manchester that is safe. They get in Frank\u2019s taxi car and drive to Manchester. <\/span><\/p>\n<p><i><span style=\"font-weight: 400\">8&#8211; The Tunnel<\/span><\/i><span style=\"font-weight: 400\">: On the way to Manchester, the group of four decide to go through a tunnel. In the tunnel, they get a flat tire. While changing the tire, zombies come. Luckily, they fix the tire just before the zombies attacked them and drive away. <\/span><\/p>\n<p><i><span style=\"font-weight: 400\">9&#8211; The Field<\/span><\/i><span style=\"font-weight: 400\">: After getting food in a grocery store and refilling the gas tank, they spend the night in a field. Hannah has trouble sleeping and Selena offers her drugs to help her sleep.<\/span><\/p>\n<p><i><span style=\"font-weight: 400\">10&#8211; Welcome to Manchester!<\/span><\/i><span style=\"font-weight: 400\">: They arrive at the 42nd blockade in Manchester. They see it is deserted. A drop of infected blood lands on Frank. Selena tells Jim to kill him, but a military man shoots Frank from a distance. He brings Selena, Jim, and Hannah to their military base.<\/span><\/p>\n<p><i><span style=\"font-weight: 400\">11- Introduction to the Military Base<\/span><\/i><span style=\"font-weight: 400\">: They are greeted by Major Henry West at the military base. He shows Jim around and explains how they are trying to rebuild civilization. Henry shows Jim the zombie prisoner Mailer that he is hold captive. <\/span><\/p>\n<p><i><span style=\"font-weight: 400\">12&#8211; The Twist<\/span><\/i><span style=\"font-weight: 400\">: After dinner, the men assault Selena. Jim attacks them, but Henry interrupts, informing them that in order to have a future they need the women to make children. Jim, Selena, and Hannah try to escape but fail. The men keep Jim and another man quarantined.<\/span><\/p>\n<p><i><span style=\"font-weight: 400\">13&#8211; The Woods<\/span><\/i><span style=\"font-weight: 400\">: The military men drag Jim and their other prisoner into the woods. The men shoot the other prisoner. Jim hides and escapes. <\/span><\/p>\n<p><i><span style=\"font-weight: 400\">14&#8211; Preparing Hannah and Selena<\/span><\/i><span style=\"font-weight: 400\">: Back at the base, the men dress Hannah and Selena. Selena offers drugs to Hannah to reduce the pain. An alarm goes off indicating an intruder.<\/span><\/p>\n<p><i><span style=\"font-weight: 400\">15&#8211; The Final Attack<\/span><\/i><span style=\"font-weight: 400\">: As the men combat with zombies, Jim comes back to the base and releases Mailer. Mailer and Jim kill all the men. Hannah, Selena, and Jim escape the base.<\/span><\/p>\n<p><i><span style=\"font-weight: 400\">16&#8211; 28 Days Later\u2026<\/span><\/i><span style=\"font-weight: 400\">: Jim wakes up in a house. Downstairs, Selena is sewing together pieces of fabric . Hannah announces she heard something. The three rush outside with the fabric and lay out a huge banner that says \u201cHELLO\u201d as small jet flies by. <\/span><\/p>\n<p>&nbsp;<\/p>\n<p><b>Structural Analysis of Frame 29:47:<\/b><\/p>\n<p><span style=\"font-weight: 400\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-67\" src=\"https:\/\/sites.williams.edu\/cpp3\/files\/2019\/03\/Screen-Shot-2019-03-07-at-4.50.29-PM-300x245.png\" alt=\"\" width=\"300\" height=\"245\" srcset=\"https:\/\/sites.williams.edu\/cpp3\/files\/2019\/03\/Screen-Shot-2019-03-07-at-4.50.29-PM-300x245.png 300w, https:\/\/sites.williams.edu\/cpp3\/files\/2019\/03\/Screen-Shot-2019-03-07-at-4.50.29-PM-768x628.png 768w, https:\/\/sites.williams.edu\/cpp3\/files\/2019\/03\/Screen-Shot-2019-03-07-at-4.50.29-PM-1024x837.png 1024w, https:\/\/sites.williams.edu\/cpp3\/files\/2019\/03\/Screen-Shot-2019-03-07-at-4.50.29-PM-367x300.png 367w, https:\/\/sites.williams.edu\/cpp3\/files\/2019\/03\/Screen-Shot-2019-03-07-at-4.50.29-PM.png 1184w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/span><\/p>\n<p><span style=\"font-weight: 400\">This frame (29:47) is taken from the scene where Selena kills Mark after he gets infected. The frame is a slightly tilted, medium-shot. The camera is shooting from a third party perspective. Selena\u2019s body and the right side of her face are dimly lit and the left side of her face is overexposed to lighting. She is looking in the direction of the camera. Behind her is a white wall covered in splashes of blood (presumably from Mark\u2019s body). On the right side of the screen, in the corner of the room, is a black and white drawing and some sort of wooden object. <\/span><\/p>\n<p><span style=\"font-weight: 400\">In this frame, Selena\u2019s face is so poorly lit that her face is almost unrecognizable. In fact, the only item that is lit properly is the blood on the white wall behind her. The lighting in the frame, dehumanizes Selena. Her face is unrecognizable, so her emotions are also unrecognizable. The audience&#8217;s ability to sympathize with Selena relies on its ability to understand her emotions. Consequently, this frame inhibits the audience from sympathizing with her. Instead, the frame encourages audience members to focus on the blood, a symbol of Selena\u2019s cold, heartless killing of Mark, thus dehumanizing her further. <\/span><\/p>\n<p><span style=\"font-weight: 400\">The camera angle also dehumanizes Selena. The tilted angle is disorienting and nauseating. The angle was intentionally done to make the viewers feel confused and uncomfortable. The audience\u2019s feelings of discomfort become attributed to Selena and her actions. <\/span><\/p>\n<p><span style=\"font-weight: 400\">This single frame follows a common theme throughout the movie, which is that black people are less than human. Each black character is portrayed as savage and uncivilized. Selena is portrayed as a stone-cold killer and drug dealer. Mailer is rabid zombie who is chained up until he gets released and kills some of the military men. Finally, the only black military man is a member of a group of men who desire to savagely rape women and kill intruders.<\/span><\/p>\n<p>Word Count: 959<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Structural Analysis #3: 28 Days Later Plot Sequence 1&#8211; Primary Research Centre: Movie opens in a laboratory full of chimps. Men and women with masks come in and take pictures of the chimps. A scientist comes in and warns them &hellip; <a href=\"https:\/\/sites.williams.edu\/cpp3\/uncategorized\/structural-analysis-3-28-days-later\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":2105,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-66","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.williams.edu\/cpp3\/wp-json\/wp\/v2\/posts\/66","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.williams.edu\/cpp3\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.williams.edu\/cpp3\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/cpp3\/wp-json\/wp\/v2\/users\/2105"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/cpp3\/wp-json\/wp\/v2\/comments?post=66"}],"version-history":[{"count":1,"href":"https:\/\/sites.williams.edu\/cpp3\/wp-json\/wp\/v2\/posts\/66\/revisions"}],"predecessor-version":[{"id":69,"href":"https:\/\/sites.williams.edu\/cpp3\/wp-json\/wp\/v2\/posts\/66\/revisions\/69"}],"wp:attachment":[{"href":"https:\/\/sites.williams.edu\/cpp3\/wp-json\/wp\/v2\/media?parent=66"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.williams.edu\/cpp3\/wp-json\/wp\/v2\/categories?post=66"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.williams.edu\/cpp3\/wp-json\/wp\/v2\/tags?post=66"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}