Dear Cap & Bells,<\/p>\n
Thanks to everyone who suggested 23 plays for our spring season! We had a wonderful mix of plays proposed and are excited to announce the seven potential plays for our upcoming spring season and invite directors to propose productions for the following works. We couldn\u2019t be more excited about these projects and look forward to hearing creative, imaginative, and exciting ideas from our directors. Ultimately we will choose two productions that will join our shows this fall and the Winter Study project to complete the 2011-2012 season.<\/p>\n
First Slot (AMT\u2014February 23-25):<\/p>\n
1.\u00a0\u00a0\u00a0 Cabaret<\/em> by Chris Isherwood, John Kander, and Fred Ebb Second Slot (CST\u2014May 3-5):<\/p>\n 1.\u00a0\u00a0\u00a0 East o\u2019 the Sun West o\u2019 the Moo<\/em>n to be adapted by Michelle Rodriguez \u201812 If you’re interested in directing, please email cap.and.bells.1898@gmail.com and we will send you a director’s proposal form. All director’s proposal forms are due on Thursday, November 3 by 5:00PM. <\/strong><\/p>\n The Board will be making all of these plays available to interested directors soon. We encourage you to try to find your own copies through bookshops, or\u2014an excellent free option\u2014the Williams College Interlibrary loan system. If you need help finding a play or have any questions about directing or working with Cap & Bells on one of these shows, please contact Noah at noah.a.schechter@gmail.com.<\/p>\n Note that you are invited to propose to direct as many plays as you like, but ultimately, we\u2019re interested in the one you are the most passionate about. Plays that appear in both slots for the spring semester are being considered for both times and you are invited to direct them in either or both\u2014just indicate your availability to work in your proposal form.<\/p>\n As a general note, here\u2019s what we are looking for in the proposal: Remember to get your proposals in by November 3rd and to e-mail us with any questions you might have! We can’t wait to hear your ideas.<\/p>\n Love,<\/p>\n Cap & Bells<\/p>\n","protected":false},"excerpt":{"rendered":" Dear Cap & Bells, Thanks to everyone who suggested 23 plays for our spring season! We had a wonderful mix of plays proposed and are excited to announce the seven potential plays for our upcoming spring season and invite directors to propose productions for the following works. We couldn\u2019t be more excited about these projects…<\/p>\n","protected":false},"author":2722,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[5],"tags":[],"class_list":["post-335","post","type-post","status-publish","format-standard","hentry","category-theatre"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.williams.edu\/capandbells\/wp-json\/wp\/v2\/posts\/335","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.williams.edu\/capandbells\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.williams.edu\/capandbells\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/capandbells\/wp-json\/wp\/v2\/users\/2722"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.williams.edu\/capandbells\/wp-json\/wp\/v2\/comments?post=335"}],"version-history":[{"count":0,"href":"https:\/\/sites.williams.edu\/capandbells\/wp-json\/wp\/v2\/posts\/335\/revisions"}],"wp:attachment":[{"href":"https:\/\/sites.williams.edu\/capandbells\/wp-json\/wp\/v2\/media?parent=335"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.williams.edu\/capandbells\/wp-json\/wp\/v2\/categories?post=335"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.williams.edu\/capandbells\/wp-json\/wp\/v2\/tags?post=335"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\n2.\u00a0\u00a0\u00a0 God<\/em> by Woody Allen
\n3.\u00a0\u00a0\u00a0 Becky Shaw<\/em> by Gina Gionfriddo
\n4.\u00a0\u00a0\u00a0 The Fantasticks<\/em> by Harvey Schmidt and Tom Jones<\/p>\n
\n2.\u00a0\u00a0\u00a0 Cabaret<\/em> by Chris Isherwood, John Kander, and Fred Ebb
\n3.\u00a0\u00a0\u00a0 Crimes of the Hear<\/em>t by Beth Henley
\n4.\u00a0\u00a0\u00a0 The Fantasticks<\/em> by Harvey Schmidt and Tom Jones
\n5.\u00a0\u00a0\u00a0 Tigers Be Still<\/em> by Kim Rosenstock
\n6.\u00a0\u00a0\u00a0 Becky Shaw<\/em> by Gina Gionfriddo<\/p>\n
\n– A strong connection to the piece and vision of the show
\n– Experience with Cap & Bells, the Theatre Department, or other student theatre organizations in a variety of capacities
\n– An eagerness to work collaborative with other people\u2019s artistic input
\n– A strong sense of production (which might include building a designer, stage manager, or just a well thought out plan of attack)<\/p>\n